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Events

A Partnership of AIA Los Angeles and USC Architecture: BIM EDGE + BIM GAP
August 22–23, 2014
BIM GAP will feature presentations about the bridging GAPs between BIM tools (analysis, construction, facilities management, and more) and also bridging the GAPs between BIM people (contractors, architects, owners, managers, subs, consultants). Learn how professionals are dealing with these gaps towards realizing the full potential of BIM. Who do you call when you need BIM guidance? EDGE examines potential partners in working with BIM beyond your firm’s current capabilities: BIM coordinators, consultants, modeling services, others.

Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

San Francisco Living: Home Tours
September 20–21, 2014
AIA San Francisco and the Center for Architecture + Design are excited to announce the 12th annual San Francisco Living: Home Tours, a two-day open house event featuring a select number of modern residences. The popular weekend showcases a wide variety of architectural styles, neighborhoods and residences, including single-family homes, contemporary renovations and multi-family residences, and is the first tour series in the Bay Area to promote residential design from the architect's point of view. Throughout the weekend, tour participants can see some of the city's latest residential projects from the inside out, meet design teams, explore housing trends, and discover innovative design solutions that inspire unique San Francisco living.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Tuesday
Aug192014

FORM on Design: Emerson College's New LA Outpost

For a special guest post, Tim Braseth takes us on a tour of the new Emerson College campus designed by Morphosis. Image courtesy ULI-LA.By Tim Braseth

The new $110 million Los Angeles outpost of Boston’s Emerson College by Thom Mayne’s Morphosis Architects hosted a private tour for Urban Land Institute – Los Angeles members on July 10, 2014

Prior to opening the Sunset Boulevard facility, Emerson College leased space in Burbank where students were housed at the Oakwood Apartments. With the opening of the new building, Emerson is able to consolidate its student housing, administrative offices, classrooms, performance studios, screening rooms, audio and computer labs and auditoriums. It’s here where students now complete senior-level coursework and participate in internships in film, television, advertising, journalism and marketing.

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Monday
Aug182014

Book Review: America's Architectural Hub

By Michael Webb

AIA Guide to Chicago, Third Edition. Edited by Alice Sinkevitch and Laurie McGovern Petersen. University of Illinois Press, $34.95.

No American city has a greater concentration of architectural masterpieces or a stronger urban identity than Chicago, and this guide is a match for its subject. The historical span is short; little survives from before the fire of 1871. Virtually everything was created in the past 140 years: from the first steel-framed high rises to Studio Gang's Aqua, which soars on the cover. In the late 19th century and again in the postwar years, the city nurtured the great luminaries, including Sullivan, Burnham, Wright, Mies, and many more top talents, who excelled individually even as they enhanced the urban fabric.

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Wednesday
Aug132014

FORM Events: DWR, Scott Johnson, Skyscrapers and FORM!

Please join FORM Magazine and Balcony Press at DWR Pasadena Studio for an Exclusive Signing of
Scott Johnson’s Performative Skyscraper

Architect Scott Johnson is the founding design partner
of Johnson Fain, the Los Angeles design firm where he’s
been designing tall buildings for 30 years. In his new
book, Performative Skyscraper: Tall Building Design Now,
Johnson examines the creation of these buildings and
explains how technology allows them to respond
intelligently to climate, optimize the use of structural
materials and more sensitively reflect their cultural
sources. He’ll join us in the Studio for a presentation,
Q&A and book signing. Refreshments will be served.

RSVP to jlewi@dwr.com

 

Scott Johnson’s Performative Skyscraper
Thursday, August 21, 6–8pm
DWR Pasadena Studio
60 W. Green St.
Pasadena, CA 91105
Phone: 626.432.6700

Monday
Aug112014

Building Your Business: Protecting Your Intellectual Property

When it comes to building your architecture or design business, there's so much to consider. Beyong creating a and establishing a vision, you have to market it and find the right people to help you realize it. How do you protect that vision, though? That's the question that came up at a recent workshop on intellectural property sponsored by the IIDA NY and LMNOP, an organization dedicated to providing professional development to members of the architecture and design communities. We thought the topic was timely—especially in the digital age—and were delighted to have the organizations put us in touch with Cheryl Davis, of Menaker & Herrman LLP, to answer some questions on how you can safegaurd your own intellectural property. 

Cheryl Davis discusses the ins and outs of protecting your intellectural property. Photo courtesy Cheryl Davis.Why should designers care about design in the context of intellectual property?

A designer’s stock-in-trade is his/her designs, which are, by their very nature, “intellectual property.”  It just makes good business sense to protect the source of your income.  Even if you don’t intend to use the design again, retaining ownership of it may give you leverage.  For example, if the client refuses to pay you for your design services, you may be able to withdraw permission to use your design until the dispute has been resolved. If you choose to transfer your intellectual property rights, you should at least use them as a bargaining chip, rather than simply giving them away.

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Monday
Aug112014

Book Review: Artists' Adventure

By Michael Webb

The Journey to Tunisia, 1914: Paul Klee, August Macke, Louis Moilliet. Hatje Cantz, € 29.80.

A companion book to an exhibition presented at the Zentrum Paul Klee in Berne to mark the centenary of a legendary journey. In April 2014, three artists whose friendship spanned national boundaries on the peaceful eve of the First World War, made a productive two-week trip to Tunisia. That brief immersion in an exotic culture, and the brilliance of the light and colors, transformed their art. Macke had only a few months to live; he was cut down in one of the early battles. The other two lived on, Klee until 1940, Moilliet until 1962, creating work that recalled their shared experience in North Africa.

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