Esther McCoy summarized the importance of Arts & Architecture: "A magazine as flat as a tortilla and sleek as a Bugatti...became the greatest force in the dissemination of information, architectural and cultural, about California." East Coast publications largely ignored the best of the West. Arts & Architecture gave generous coverage to regional modernists, but also featured houses by Marcel Breuer, Paul Rudolph, Harry Seidler, and Oscar Niemeyer. Editor John Entenza had his blind spots, scanting the originality of Schindler and Lautner in favor of orthogonal orthodoxy. But he was far ahead of public taste and most of the profession, and his genius was to win converts to modernism, and plant a seed that would keep blooming. The Case Study house is still a viable model.
Entries in architecture (18)
The wow! factor was there from the start. We have all gazed upwards in awe. For centuries, Gothic spires dominated the city skyline and then, thanks to the invention of the steel frame, elevators, and several other key advances in building technology, office towers outreached them, and the competition to build ever higher is as lively as it was a hundred years ago, when the Woolworth palazzo broke the record. In his second book on the high-rise, Scott Johnson moves beyond height and structure, to review ways in which skyscrapers can perform better and make a positive contribution to the environment.
A New York architect who specializes in the restoration and reinvention of historic buildings has written the best book to date on adaptive re-use. What marks it off from earlier surveys is the critical intelligence of her writing and the freshness of her choices. "An old building is not an obstacle but rather a foundation for continued action," she writes, and every paragraph conveys her passion for enhancing the beauty and utility of found structures, ranging from a ruined pigsty to the noblest monuments. In each, an architect who shares her skill has devised an appropriate strategy for creative intervention. And each building is explored in detail, with an image from Google Earth to show its surroundings, plans and drawings, and close-ups of finishes and details.
The late Detlef Mertins distilled a lifetime of scholarship and research on Mies van der Rohe into this massive and authoritative survey of the master’s work and thought. Seven hundred drawings and photos illustrate the entire arc of a career that took Mies from Peter Behrens’ office in Berlin to a global practice in Chicago as the primary exponent of international modernism. “Less is more” and “God is in the details,” have become part of the everyday language of architecture. To some he was a god-like figure; others dismissed his buildings—even the best of them—as unlivable, dysfunctional, and authoritarian. It’s time for a reappraisal.
The New York Architecture and Design Film Festival was SRO last October, and it’s being reprised in LA, March 12-16, at the downtown Los Angeles Theater Center, 514 South Spring Street. Highlights include Tadao Ando: from Emptiness to Infinity, documentaries on visionary architects Paolo Soleri and Eugene Tssui, and a community building program in the poorest county of North Carolina. I’ll be moderating a panel on the restoration of classic modern houses with Kelly Lynch, Michael Boyd, and Frank Escher on the afternoon of Sunday 16th and that will be followed by The Oyler House: Richard Neutra’s Desert Retreat, a portrait of the little gem in Lone Pine, CA, that Kelly Lynch and Mitch Glazer lovingly restored. Featured designers include Massimo and Lella Vignelli, and the British maverick Paul Smith. The scandal of Chavez Ravine and the misguided reinvention of Gaudi’s Sagrada Familia will be explored, along with a dozen other projects, large and small. It’s must-attend event, and you should buy your tickets asap at adfilmfest.com.