The New York Architecture and Design Film Festival was SRO last October, and it’s being reprised in LA, March 12-16, at the downtown Los Angeles Theater Center, 514 South Spring Street. Highlights include Tadao Ando: from Emptiness to Infinity, documentaries on visionary architects Paolo Soleri and Eugene Tssui, and a community building program in the poorest county of North Carolina. I’ll be moderating a panel on the restoration of classic modern houses with Kelly Lynch, Michael Boyd, and Frank Escher on the afternoon of Sunday 16th and that will be followed by The Oyler House: Richard Neutra’s Desert Retreat, a portrait of the little gem in Lone Pine, CA, that Kelly Lynch and Mitch Glazer lovingly restored. Featured designers include Massimo and Lella Vignelli, and the British maverick Paul Smith. The scandal of Chavez Ravine and the misguided reinvention of Gaudi’s Sagrada Familia will be explored, along with a dozen other projects, large and small. It’s must-attend event, and you should buy your tickets asap at adfilmfest.com.
Entries in architecture (19)
All the usual suspects and several unfamiliar names are rounded up in this ambitious bilingual catalog of recent work by about sixty Chilean architects, working alone or on collaborative ventures. Essays by Miquel Adriá, Horacio Torrent, and Pablo Allard provide a historical background, explain how architecture has flourished in Chile over the past two decades, and introduce some of the leading players. Each architect or team is represented by one or more buildings—the prolific Mathias Klotz has eight—shown in plans and photos with brief factual descriptions.
This is a catch-up review of a handy pocketbook I missed when it first appeared—much to my regret. It would have saved me hours of digging up information on new buildings and have been an indispensable companion on recent visits to New York. Having written an architectural guide to LA, and edited two others, I know how much skill and effort must have been invested in research, selection, procuring images, and writing succinct descriptions. Hill has chosen more than 200 buildings completed in the first decade of the 21st century in all five boroughs, plus a selection of projects anticipated for the second decade. What makes the guide a joy to use is the clarity of the layout, in which buildings are grouped in 22 districts and indicated on useful maps that also include subway stops. Scattered through the geographical coverage are break-out sections on public spaces, designer shops and restaurants, fire houses, memorials and other categories.
Why We Build: Power and Desire in Architecture. Rowan Moore (HarperDesign, $30).
Rowan Moore is the outspoken architectural critic of The Observer, one of the last serious newspapers in Britain—a market increasingly dominated by tawdry tabloids. His commentaries on new buildings can be found on the Web site of The Guardian, a liberal daily owned by the same non-profit trust. In Why We Build, he has stepped back to reflect on a broad swathe of architecture and the forces that shape it.
Diller Scofidio + Renfro: Architecture After Images. Edward Dimendberg. (The University of Chicago Press, $65).
A timely and penetrating study of a firm that has surged to prominence on the strength of two headline projects in New York: its imaginative transformation of Lincoln Center and the High Line (in association with Field Operations). In both, the architects were highly respectful of existing structures and that augers well for an even greater challenge: extending the Museum of Modern Art without destroying the American Museum of Folk Art. MoMA outraged the architectural establishment by threatening to demolish its next-door neighbor. It will require all of DS+R’s skill to integrate Tod Williams & Billie Tsien’s unique building into the new structure, and convince an overbearing institution to reconsider its threatened act of vandalism.