David Adjaye: a House for an Art Collector
Texts by Peter Allison, Adam Lindemann and interviews with David Adjaye
Principal photography by Robert Polidori and Lyndon Douglas
(Rizzoli International, $50)
David Adjaye is the Michael Maltzan of British architecture, fusing the cerebral and the tactile, collaborating with artists and collectors, and creating buildings at both ends of the price spectrum. The National Museum of African Art in Washington DC will make him a household name when it’s completed, four years from now. Meanwhile, his reputation rests on the houses and community centers he built in the gritty East End of London, and the Museum of Contemporary Art in Denver. It’s a big jump to the affluent Upper East Side of New York, a National Historical District where everything that’s visible from the street is sacrosanct. Adam Lindemann needed more space in which to display large contemporary works, bought an abandoned carriage house just off Park Avenue, and commissioned Adjaye to build an edgy, black concrete structure on six levels, concealed behind the protected Beaux Arts façade.