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Michael Webb
writes on modern architecture, design, and travel. He is the author of 26 books, most recently Modernist Paradise: Niemeyer House, Boyd Collection (Rizzoli) and Venice CA: Art +Architecture in a Maverick Community (Abrams). He travels widely in search of new and classic modern architecture and contributes to magazines around the world. Michael lives in the Neutra apartment that Charles and Ray Eames once called home.

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Michael Webb

Entries in Landscapes (2)

Tuesday
Sep112012

BOOK REVIEW: The London Square



From street level, London can seem overpowering--a vast, crowded metropolis that crushes the human spirit--but from a viewing gallery it becomes a green city. Expansive parks, leafy squares, and lovingly cultivated back yards: a triumph of planting over building. The native love of gardening found full expression in residential squares that were planted and enclosed—in contrast to the paved civic squares of the continent. In Europe, plazas and piazzas began life as market places or as forecourts to the ruler’s palace; in London and a few provincial cities such as Bath and Edinburgh, it was a developer’s tool—a way of adding value to a new residential quarter. In The London Square: Gardens in the Midst of Town, Todd Longstaffe-Gowan, a British landscape designer, traces in scholarly (sometimes tedious) detail the evolution of the London square, from the Italianate ensemble of Covent Garden (which soon acquired a market and lost its cachet) to the flowering of the form in the Georgian era, and the steady erosion of these oases over the past century.

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Tuesday
Nov022010

REVIEW: Pamela Burton Landscapes

Click image to visit Hennessey + Ingalls BookstorePamela Burton Landscapes
Foreword by Robert A.M. Stern
(Princeton Architectural Press, $50)

I'm in awe of Pamela Burton’s erudition (the way she rattles off familiar and Latin names of every plant in her path) and still more her ability to make those flowers and shrubs thrive and compose natural works of art. It’s a terrible admission, but I cannot recall the names of more than a few species, and plants wither at my touch—a failing so shameful that I had to flee England. However, this collection of seventeen public and private landscapes is more architectural than horticultural, and it drew me in. As the author explains, “When designing gardens, I think of myself as shaping distinctive outdoor rooms in the process of forming spatial axes and proportions of height and width, then creating exploratory paths that serve as connections between those garden rooms. In addition, elements such as openings, lighting, temperature (shade and water), sounds, and furnishings must be considered.” Haptic architecture, employing organic materials.

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