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Michael Webb
writes on modern architecture, design, and travel. He is the author of 26 books, most recently Modernist Paradise: Niemeyer House, Boyd Collection (Rizzoli) and Venice CA: Art +Architecture in a Maverick Community (Abrams). He travels widely in search of new and classic modern architecture and contributes to magazines around the world. Michael lives in the Neutra apartment that Charles and Ray Eames once called home.

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Michael Webb

Entries in MoMA (2)

Monday
Sep092013

Book Review: A Fresh Look at Le Corbusier

Le Corbusier (Charles-Édouard Jeanneret). (French, born Switzerland. 1887-1965). Urban plan for Rio de Janeiro. 1929. Aerial perspective with Guanabara Bay, the center and the beaches. Charcoal and pastel on paper. 29 15/16 x 31 11/16” (76 x 80.5 cm). Fondation Le Corbusier, Paris. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris/FLCBy Michael Webb

Le Corbusier: An Atlas of Modern Landscapes. Jean-Louis Cohen. MoMA, $75.

It’s ironic that MoMA presented one of the finest architectural exhibitions in years just as Barry Bergdoll, its widely admired curator of architecture, was stepping down, and its director was threatening to demolish the American Folk Art Museum—an architectural gem. Clearly, the gulf between the suits and the creatives yawns wide. If you missed the exhibition (and who wants to suffer New York in summer) you can catch it in Barcelona and Madrid next year. However, this companion book may prove more rewarding. A major reappraisal of a 20th-century master demands patient study of pictures, drawings and text, rather than abbreviated glimpses in a crowded gallery. From the seductive images of Richard Pare to the many essays that chart Corbu’s travels and his response to landscapes, this is a compelling, beautifully produced study that far outshines most books on the architect. 

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Wednesday
Sep152010

REVIEW: Henri Cartier-Bresson: The Modern Century

Click image to visit Hennessey + Ingalls BookstoreHenri Cartier-Bresson: The Modern Century
By Peter Galassi
(Museum of Modern Art, $49.95 in paperback)

MoMA is touring a retrospective of 300 photographs spanning Cartier-Bresson’s entire career. This companion book contains many of those images in a rather cramped layout, but is chiefly
remarkable for a brilliant essay by curator Peter Galassi. His insights will deepen and change your understanding of an artist you thought you knew. As an example, he likens the early photographs to “collages ripped from the fabric of the streets. The model of his postwar style is the opposite…
the image functions like a well-proportioned stage on which a few figures have gathered to enact a tableau vivant.”