An idealized portrait of the crumbling Cuban capital, which offers very incomplete coverage of the modernist treasures of the 1940s and 1950s. The subtitle is more exact: The early decades of the 20th century saw a wonderful flowering of Beaux Arts and Art Déco, including a scaled down version of the US Capitol and the exuberant Bacardi Building. Those decorative styles occupy more than half this book, but the images must have been extensively photo-shopped to achieve such pristine elegance. In reality most of these houses and public buildings are shabby and decayed, even on the verge of collapse.
Entries in Rizzoli (2)
It’s Modern: The Eye and Visual Influence of Alexander Liberman. Charles Churchward. Rizzoli, $65.
There’s a fairy tale quality about the life and careers of Alexander Lieberman. An emigré from Kiev, he was briefly touched by the Russian avant garde, edited the first magazine of photo journalism in Paris in the 1930s, narrowly escaped to the US in 1941, was swiftly fired from his first two jobs but spent the next 50 years in art direction at Condé Nast. Even as he honed his reputation as an artist and social lion, he became editorial director of the entire publishing empire, from Vogue to Allure. He re-launched Vanity Fair and House & Garden and inaugurated new titles. Nobody will ever again exercise such authority and for so long. Adaptability was his greatest gift. An exacting stylist, he could reconceive magazines every decade and for every demographic, remaking layouts for hours at a time, before returning to his Connecticut studio to work on an abstract painting or sculpture.