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Events

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Japanese Design Today 100
June 27–July 19, 2014
The Japan Foundation presents the World premiere of the exhibition Japanese Design Today 100, which opens at UCLA’s Department of Architecture & Urban Design at Perloff Hall. This exhibition showcases the Designscape of contemporary Japan through 100 objects of Japanese design: 89 objects created since 2010 that are well known in Japan, as well as 11 objects that represent the origin of Japanese post-war modern product design. These 100 product designs are displayed in 10 categories: Classic Japanese Design, Furniture & Housewares, Tableware & Cookware, Apparel & Accessories, Children, Stationery, Hobbies, Healthcare, Disaster Relief, and Transportation.

BAM/PFA New Building Topping Out Celebration
July 17, 2014
Construction is nearing midpoint at the downtown Berkeley site of the future home of the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA). Workers will soon be erecting the last of the steel beams that form the frame of this dynamic building. To celebrate this important milestone, BAM/PFA invites its Bay Area friends and neighbors to a “topping out” ceremony on Addison Street, between Shattuck Avenue and Oxford Street.

39th Annual American Craft Council San Francisco Show
August 8–10, 2014

The American Craft Council returns to San Francisco for its 39th Annual American Craft Council San Francisco Show this August 8-10, 2014 at Fort Mason Center. As the largest juried fine craft show on the West Coast, the 2014 San Francisco Show is expected to draw more than 12,000 fine craft collectors and design enthusiasts.

Conversations in Place 2014
August 10, 2014
ow in its third year, Conversations in Place 2014 begins another series of illuminating explorations of “Southern California – Yesterday and Tomorrow” at the historic Rancho Los Alamitos. The 4-part series begins Sunday, August 10 and continues through Sunday, November 2. The series begins with W. Richard West, Jr, President and CEO of The Autry National Center of the American West, Milford Wayne Donaldson, FAIA, chairman of the United States Advisory Council on Historic Preservation, and Pamela Seager, Executive Director of Rancho Los Alamitos, and Architect Stephen Farneth, FAIA, founding partner of the award-winning historic preservation firm Architectural Resources Group, in conversation about the place of museums and historic sites in shaping the story of Southern California. Can these institutions escape the straightjacket of the time to better interpret history to the 21st century?

NOW AND NEXT 2014 Symposium on Technology for Design and Construction
August 13–15, 2014
Meet thought leaders and colleagues interested in architecture, engineering, construction, open BIM Exchange, software trends and more. Learn about the innovations that are moving companies and people forward
including: where and how design and delivery is shifting; which software applications are transformative; best practices for collaborative project delivery; how to engage with the global BIM community. Connect with and hear from the best and the brightest such as Jordan Brandt, AutoDesk; Deke Smith, buildingSMART alliance; Ray Topping, Fiatech; Bill East, Prairie  Sky Consulting (formerly of the US Army Corps of Engineers).

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

FORM Event Images

Industry Partners

  

  




















 

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Thursday
Feb182010

Julius Shulman - Tribute

Masterful in front of an audience, this prodigious talent’s legacy will continue
to draw crowds´╗┐


By Christopher James Alexander

-Curator of Architecture and Design
Getty Research Institute, Los Angeles

The Chuey House designed by Richard Neutra in 1956 and photographed by Julius Shulman in the same year. Gelatin silver print © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10)Visitors to Julius Shulman Photography exhibitions tend to be a bit boisterous. They exclaim, sigh, and holler at their friends across the room. They point and excitedly lean into the framed images, inadvertently leaving smeared fingerprints and nose smudges on the protective glass. It’s not their fault. They can’t help themselves. Exploring Shulman’s captivating photos is an interactive experience.

For a curator like me, this lively gallery atmosphere is exhilarating. When the two Shulman exhibitions that Wim de Wit and I curated and organized with our Getty colleagues were on view, I enjoyed some of the most entertaining and enlightening anecdotes, while unabashedly eavesdropping on visitors in the gallery. People would linger in front of Shulman’s historic photographs and marvel at the inventive architecture, elegant fashions, sleek automobiles and bygone neighborhood vistas framed by his lens. Parents asked their young children how they thought it would feel to live in a transparent, steel and glass home or sleep perched atop the city in John Lautner’s futuristic Chemosphere. Groups of women reflected on blissful afternoons spent shopping at the Bullock’s Wilshire department store, in order to find the perfect dress for a special occasion. Couples happily reminisced about seeing Lawrence of Arabia at S. Charles Lee’s spectacular Academy Theater. Through his precise combination of intuitive timing, distinctive camera angles, and alluring, staged narratives, Shulman not only created some of the most famous photographs in architectural history; he developed compelling images that continue to viscerally connect with people on complex levels.

Shulman’s passion, innovative methods, and unwavering business acumen propelled a prodigious career. He was a self-proclaimed “merchandiser” and took great pride in employing every tool in his photographic arsenal, in order to present a structure in its most engaging light. Over seventy years, he steadily created one of the most comprehensive and meticulously organized visual chronologies of modern architecture.

Shulman’s iconic photographs of L.A.’s dazzling residences established the world’s vision of the glamorous Southern California lifestyle. In reality, however, the majority of this area’s residents found such radically redefined homes unappealing and relatively few of these progressive structures were ever built. While his international reputation expanded as a result of his images of modernist landmarks, his business grew by photographing all well-designed building styles, regardless of aesthetics, scale, or the occupants’ taste in furniture.

While delving into his massive, 70,000-print archive, I discovered a photograph of a tract home with an interior décor that would have made Shulman’s first and most critical client, Richard Neutra, break out into hives. Thinking I had unearthed an image that Shulman would have preferred to expunge from his venerated portfolio, I silently slid the print across the table during a Getty oral history, and braced myself for his reaction. Instead of cringing, he confidently declared that he loved this domestic design, thought the clunky and awkward ceiling chandelier was beautiful, and vividly recalled that the metal kitchen table chairs were exceedingly comfortable. He was an ardent, infallible, and unflappable businessman to the end.

Thanks to the caring, astute, and patient support of his daughter and business colleagues, Shulman enjoyed an inspiringly prolific final decade. Following Hollywood’s cues, he became a star who eagerly embraced and consciously amplified his growing mass appeal. He loved the bright lights and attention and was masterful in front of an audience. After the numerous exhibition-related events we presented, Shulman would walk offstage, give me a wink and a sly grin, and say, “We put on a good show, didn’t we.” He relished lecturing, cajoling, and entertaining the crowds, and like all gifted legends, left his adoring fans wishing for more.

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