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Events

Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Detroit Design Festival
September 23–28, 2014
Presented by the Detroit Creative Corridor Center (DC3), and supported by the Knight Foundation, the fourth-annual Detroit Design Festival spans all design disciplines and brings together commerce, culture, education, and entertainment with a full, varied program of exhibitions, openings, installations, shows, talks, open studios, fashion shows, product previews, performances and workshops.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

Case Study & Site Tour
October 2, 2014
Steven Ehrlich will discuss his elevon designs at an Urban Land Institute Los Angeles event at elevon at Campus El Segundo. He will be joined by representatives of the development and leasing teams.

Docomomo US Tour Day 2014
October 11, 2014

Docomomo US is pleased to announce the full schedule of Tour Day, one of the largest national programs devoted to the appreciation of Modern architecture in the United States. Set to take place on October 11, 2014 and throughout the month of October, this year’s event includes more than 50 tours planned in 21 states and 37 individual cities and brings together 17 Docomomo US Chapters, 5 Friend Organizations, in addition to architecture and preservation organizations, architects, historians, designers, and enthusiasts. Hosted by many of the leading preservation voices, Tour Day 2014 events will offer something for everyone.


Westedge Design Fair
October 16–19, 2014
The curated fair features over 150 leading and emerging, domestic and international furnishings brands. Catering to both trade and consumers, the event offers a complete experience for attendees, including panel discussions and workshops, culinary activities, custom installations, and a series of special events.

4th Annual Found L.A.
October 19, 2014
On Sunday, October 19, 2014, the non-profit L.A. Commons (www.lacommons.org) will host its 4th annual Found L.A: Festival of Neighborhoods, and its first based on a mayoral theme, Los Angeles Mayor Eric Garcetti’s Great Streets Program. Angelenos will explore the main arteries of neighborhoods around the city, developed and not so, and meet the people in the center of activity there.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few.

 

 

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadline: October 31

Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Thursday
Feb182010

Julius Shulman - Tribute

Masterful in front of an audience, this prodigious talent’s legacy will continue
to draw crowds´╗┐


By Christopher James Alexander

-Curator of Architecture and Design
Getty Research Institute, Los Angeles

The Chuey House designed by Richard Neutra in 1956 and photographed by Julius Shulman in the same year. Gelatin silver print © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10)Visitors to Julius Shulman Photography exhibitions tend to be a bit boisterous. They exclaim, sigh, and holler at their friends across the room. They point and excitedly lean into the framed images, inadvertently leaving smeared fingerprints and nose smudges on the protective glass. It’s not their fault. They can’t help themselves. Exploring Shulman’s captivating photos is an interactive experience.

For a curator like me, this lively gallery atmosphere is exhilarating. When the two Shulman exhibitions that Wim de Wit and I curated and organized with our Getty colleagues were on view, I enjoyed some of the most entertaining and enlightening anecdotes, while unabashedly eavesdropping on visitors in the gallery. People would linger in front of Shulman’s historic photographs and marvel at the inventive architecture, elegant fashions, sleek automobiles and bygone neighborhood vistas framed by his lens. Parents asked their young children how they thought it would feel to live in a transparent, steel and glass home or sleep perched atop the city in John Lautner’s futuristic Chemosphere. Groups of women reflected on blissful afternoons spent shopping at the Bullock’s Wilshire department store, in order to find the perfect dress for a special occasion. Couples happily reminisced about seeing Lawrence of Arabia at S. Charles Lee’s spectacular Academy Theater. Through his precise combination of intuitive timing, distinctive camera angles, and alluring, staged narratives, Shulman not only created some of the most famous photographs in architectural history; he developed compelling images that continue to viscerally connect with people on complex levels.

Shulman’s passion, innovative methods, and unwavering business acumen propelled a prodigious career. He was a self-proclaimed “merchandiser” and took great pride in employing every tool in his photographic arsenal, in order to present a structure in its most engaging light. Over seventy years, he steadily created one of the most comprehensive and meticulously organized visual chronologies of modern architecture.

Shulman’s iconic photographs of L.A.’s dazzling residences established the world’s vision of the glamorous Southern California lifestyle. In reality, however, the majority of this area’s residents found such radically redefined homes unappealing and relatively few of these progressive structures were ever built. While his international reputation expanded as a result of his images of modernist landmarks, his business grew by photographing all well-designed building styles, regardless of aesthetics, scale, or the occupants’ taste in furniture.

While delving into his massive, 70,000-print archive, I discovered a photograph of a tract home with an interior décor that would have made Shulman’s first and most critical client, Richard Neutra, break out into hives. Thinking I had unearthed an image that Shulman would have preferred to expunge from his venerated portfolio, I silently slid the print across the table during a Getty oral history, and braced myself for his reaction. Instead of cringing, he confidently declared that he loved this domestic design, thought the clunky and awkward ceiling chandelier was beautiful, and vividly recalled that the metal kitchen table chairs were exceedingly comfortable. He was an ardent, infallible, and unflappable businessman to the end.

Thanks to the caring, astute, and patient support of his daughter and business colleagues, Shulman enjoyed an inspiringly prolific final decade. Following Hollywood’s cues, he became a star who eagerly embraced and consciously amplified his growing mass appeal. He loved the bright lights and attention and was masterful in front of an audience. After the numerous exhibition-related events we presented, Shulman would walk offstage, give me a wink and a sly grin, and say, “We put on a good show, didn’t we.” He relished lecturing, cajoling, and entertaining the crowds, and like all gifted legends, left his adoring fans wishing for more.

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