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Events

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Japanese Design Today 100
June 27–July 19, 2014
The Japan Foundation presents the World premiere of the exhibition Japanese Design Today 100, which opens at UCLA’s Department of Architecture & Urban Design at Perloff Hall. This exhibition showcases the Designscape of contemporary Japan through 100 objects of Japanese design: 89 objects created since 2010 that are well known in Japan, as well as 11 objects that represent the origin of Japanese post-war modern product design. These 100 product designs are displayed in 10 categories: Classic Japanese Design, Furniture & Housewares, Tableware & Cookware, Apparel & Accessories, Children, Stationery, Hobbies, Healthcare, Disaster Relief, and Transportation.

BAM/PFA New Building Topping Out Celebration
July 17, 2014
Construction is nearing midpoint at the downtown Berkeley site of the future home of the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA). Workers will soon be erecting the last of the steel beams that form the frame of this dynamic building. To celebrate this important milestone, BAM/PFA invites its Bay Area friends and neighbors to a “topping out” ceremony on Addison Street, between Shattuck Avenue and Oxford Street.

39th Annual American Craft Council San Francisco Show
August 8–10, 2014

The American Craft Council returns to San Francisco for its 39th Annual American Craft Council San Francisco Show this August 8-10, 2014 at Fort Mason Center. As the largest juried fine craft show on the West Coast, the 2014 San Francisco Show is expected to draw more than 12,000 fine craft collectors and design enthusiasts.

Conversations in Place 2014
August 10, 2014
ow in its third year, Conversations in Place 2014 begins another series of illuminating explorations of “Southern California – Yesterday and Tomorrow” at the historic Rancho Los Alamitos. The 4-part series begins Sunday, August 10 and continues through Sunday, November 2. The series begins with W. Richard West, Jr, President and CEO of The Autry National Center of the American West, Milford Wayne Donaldson, FAIA, chairman of the United States Advisory Council on Historic Preservation, and Pamela Seager, Executive Director of Rancho Los Alamitos, and Architect Stephen Farneth, FAIA, founding partner of the award-winning historic preservation firm Architectural Resources Group, in conversation about the place of museums and historic sites in shaping the story of Southern California. Can these institutions escape the straightjacket of the time to better interpret history to the 21st century?

NOW AND NEXT 2014 Symposium on Technology for Design and Construction
August 13–15, 2014
Meet thought leaders and colleagues interested in architecture, engineering, construction, open BIM Exchange, software trends and more. Learn about the innovations that are moving companies and people forward
including: where and how design and delivery is shifting; which software applications are transformative; best practices for collaborative project delivery; how to engage with the global BIM community. Connect with and hear from the best and the brightest such as Jordan Brandt, AutoDesk; Deke Smith, buildingSMART alliance; Ray Topping, Fiatech; Bill East, Prairie  Sky Consulting (formerly of the US Army Corps of Engineers).

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

FORM Event Images

Industry Partners

  

  




















 

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Monday
Dec092013

WEB EXTRA: Taking Flight: Cynthia Minet on Art in Airports

Artist Cynthia Minet's Packing(Caravan) lines a corridor at LAX, part of an on-going series of temporary exhibitions there featuring the work of local artists. Programs such as these have sprung up in airports around the country. Photography by Panic Studio, LA/courtesy Cynthia Minet. If you’re an artist, the chance to have thousands, if not tens of thousands, see your work is a chance too good to pass up. It was certainly true for Cynthia Minet, a Los Angeles sculptor, whose Packing(Caravan) was chosen for a temporary exhibition at LAX, as part of an on-going (and nationally growing) move to showcase art in airports. The installation would include a collection pack animals—a pair of oxen, an elephant, a camel—constructed from pieces of recycled and repurposed plastic. An outgrowth of her explorations of bioengineering, genetic modification, fashion consumerism, and ecology, the animals were witty, thoughtful and wholly apropos of their surroundings.

Creating and installing work for in a non-traditional habitat “was interesting as a sculptor, because I had to think about height and depth in a controlled environment,” says Minet. While the case, in the international terminal, where the pieces were to be displayed meant they’d be extra-protected, it also made installation a finely choreographed dance. “The camel was easy—it comes apart in many pieces,” says Minet. The elephant, too, ended up being made in several sections in order to have the “proper girth,” she notes, while still fitting through an alarmed door in a high-security area and into the case. “The pieces had to be made so we could open the door quickly, push them into vestibule, turn them and then close the door behind. It was a one-and-a-half-minute window,” she says.

Once inside, Minet worked backwards, installing the animals in reverse order, with the elephant and first ox going in last. All went smoothly, until the end, when she realized a light was still on at the opposite end. “I had to crawl on my belly to get down to other end of case to unscrew the light bulb,” she recalls.

Minet came to some fascinating revelations about viewers’ experiences. “People walking by with their carts experience them one by one—but it’s more of a quick glance,” says Minet, “rather than the experience in a museum or gallery where they’re going to look at art. You have a wider audience but people don’t stop and ponder.”

The program, though, is not just for travelers. It’s also for the staff, and they responded to the work. “Those were the people who were blown away. When we were de-installing, someone came up and told us they were sad to see them go. The pieces had a different life for the people working there,” says Minet.

To read more about art in airports, become a digital subscriber by clicking here

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