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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Monday
Apr292013

Workbook: New Life for a Historic DC Building

For a new outpost of Matchbox, the firm Studio3877 transformed a 1907 Washington, DC, building into a warm bistro. Photography by Ron Ngaim/Courtesy Studio3877.

“It was in rough shape from years of use and misuse and had seen better days,” architect David Shove-Brown says of an 8,000-square-foot, 1907 building in Washington, DC, that he and his Studio3877 partner David Tracz had been asked transform it into the latest outpost of Matchbox. Over the years, the building had done duty as a bowling alley, a jazz club and a car dealership and still retained a great character, so, he says, “It was pretty clear we wanted to be true to the building”—with a straightforward approach to its history and materials that matched the restaurant’s approach to ingredients.  

Almost immediately, the architects pulled demolition permits to see what might be hiding in the building.  They discovered steel girders and antique brickwork that was incorporated into the new design, which spans two stories, plus a mezzanine level added by the architects. Its expansive size allows “every experience to be different,” Tracz. “Every time someone goes in, we want them to say, ‘I didn’t see that the last time.’”

The architects even included touches that speak to the building’s history, including brass details behind the bar to evoke its time as a jazz club and the bar itself with its echoes of a bowling alley. “For designers who tend to be more contemporary, it was interesting for us to be involved with a project like this,” says Shove-Brown. “It was the most historic preservation work we’ve ever done. We had a chance not to recreate the past but enhance it.”

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