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Events

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Japanese Design Today 100
June 27–July 19, 2014
The Japan Foundation presents the World premiere of the exhibition Japanese Design Today 100, which opens at UCLA’s Department of Architecture & Urban Design at Perloff Hall. This exhibition showcases the Designscape of contemporary Japan through 100 objects of Japanese design: 89 objects created since 2010 that are well known in Japan, as well as 11 objects that represent the origin of Japanese post-war modern product design. These 100 product designs are displayed in 10 categories: Classic Japanese Design, Furniture & Housewares, Tableware & Cookware, Apparel & Accessories, Children, Stationery, Hobbies, Healthcare, Disaster Relief, and Transportation.

BAM/PFA New Building Topping Out Celebration
July 17, 2014
Construction is nearing midpoint at the downtown Berkeley site of the future home of the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA). Workers will soon be erecting the last of the steel beams that form the frame of this dynamic building. To celebrate this important milestone, BAM/PFA invites its Bay Area friends and neighbors to a “topping out” ceremony on Addison Street, between Shattuck Avenue and Oxford Street.

39th Annual American Craft Council San Francisco Show
August 8–10, 2014

The American Craft Council returns to San Francisco for its 39th Annual American Craft Council San Francisco Show this August 8-10, 2014 at Fort Mason Center. As the largest juried fine craft show on the West Coast, the 2014 San Francisco Show is expected to draw more than 12,000 fine craft collectors and design enthusiasts.

Conversations in Place 2014
August 10, 2014
ow in its third year, Conversations in Place 2014 begins another series of illuminating explorations of “Southern California – Yesterday and Tomorrow” at the historic Rancho Los Alamitos. The 4-part series begins Sunday, August 10 and continues through Sunday, November 2. The series begins with W. Richard West, Jr, President and CEO of The Autry National Center of the American West, Milford Wayne Donaldson, FAIA, chairman of the United States Advisory Council on Historic Preservation, and Pamela Seager, Executive Director of Rancho Los Alamitos, and Architect Stephen Farneth, FAIA, founding partner of the award-winning historic preservation firm Architectural Resources Group, in conversation about the place of museums and historic sites in shaping the story of Southern California. Can these institutions escape the straightjacket of the time to better interpret history to the 21st century?

NOW AND NEXT 2014 Symposium on Technology for Design and Construction
August 13–15, 2014
Meet thought leaders and colleagues interested in architecture, engineering, construction, open BIM Exchange, software trends and more. Learn about the innovations that are moving companies and people forward
including: where and how design and delivery is shifting; which software applications are transformative; best practices for collaborative project delivery; how to engage with the global BIM community. Connect with and hear from the best and the brightest such as Jordan Brandt, AutoDesk; Deke Smith, buildingSMART alliance; Ray Topping, Fiatech; Bill East, Prairie  Sky Consulting (formerly of the US Army Corps of Engineers).

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Thursday
May162013

Book Review: From Art to Architecture

By Michael Webb

Diller Scofidio + Renfro: Architecture After Images. Edward Dimendberg. (The University of Chicago Press, $65).

A timely and penetrating study of a firm that has surged to prominence on the strength of two headline projects in New York: its imaginative transformation of Lincoln Center and the High Line (in association with Field Operations). In both, the architects were highly respectful of existing structures and that augers well for an even greater challenge: extending the Museum of Modern Art without destroying the American Museum of Folk Art. MoMA outraged the architectural establishment by threatening to demolish its next-door neighbor. It will require all of DS+R’s skill to integrate Tod Williams & Billie Tsien’s unique building into the new structure, and convince an overbearing institution to reconsider its threatened act of vandalism.

Established in 1979 by Ricardo Scofidio and Elizabeth Diller, the practice created a succession of playful, subversive art works and installations, which culminated in Blur—a cloud of water vapor hovering over a lake—a major draw for the 2002 Swiss National Exhibition. An innovative apartment block in Japan went largely unnoticed, and their daring design for the Eyebeam Museum in Chelsea was dropped after 9/11.  Not until 2006, with the Institute of Contemporary Art on the Boston waterfront, did they win widespread acclaim.

Edward Dimendberg, a professor of film at UC Irvine, has been tracking DS+R for nine years and he provides an enlightening chronicle of their varied projects and ideas. He quotes historian Siegfried Giedion who wrote, in 1928, that “only film can make the new architecture intelligible.” That’s a questionable assertion: you have to experience a building with all your senses to appreciate its quality--still and moving images can offer no more than a simulacrum. Beguiling as photos of Blur undoubtedly were, they paled beside the experience of walking through that cloud and feeling its wetness.

Dimendberg occasionally lapses into the academic jargon of media studies. “If Diller and Scofidio had early on recognized the utility of the semiological logic of binary oppositions between signifiers and signifieds, the components of the sign for Saussure, they never became enslaved to this model.” Architecture jargon can be just as obfuscatory, but it both cases it’s unnecessary, and these foggy passages are mercifully brief. Dimendberg likens their art pieces to those of Duchamp and Matta-Clark, and he explores their influence as radical teachers at Cooper Union and Princeton. As practitioners and teachers, Diller and Scofidio questioned the premises and assumptions that guide most architects, and in doing so laid the foundation for their later large-scale projects.

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