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Events 

Venice/Santa Monica Modern Home Tour
May 3, 2014

The Venice/Santa Monica Modern Home Tour gives L.A. residents a chance to explore and view some of the greatest examples of modern architecture right in their own area, via self-guided driving tour. Attendees learn from homeowners what it's like to live in a modern home and find out where the architects got their inspiration - directly from the architects themselves. The tour is self-guided and self-driven, allowing guests to explore these modern treasures at their own pace.

RICSSummit of the Americas Toronto 2014

May 4-6, 2014
RICS Summit of the Americas 2014 is for any real estate professional looking to draw from timely, in-depth market knowledge that will be shared by local and international experts in the land, property and construction sectors. The summit will provide an excellent opportunity to connect with top professionals from around the world and engage in educational seminars and premier discussion forums.

Heath Open Studio Events
May 9–11
The traditional Spring event, where Heath opens the doors to the factory and studio so visitors can explore both Heath's history, as well as current projects and collections, will be held at the company's San Franciso, Sausalito and Los Angeles locations.

Sonoma Living: Home Tours
May 10, 2014
AIA San Francisco and AIA Redwood Empire are excited to announce Sonoma Living: Home Tours, a new home tours program for 2014. Sonoma Living will showcase a wide variety of architectural styles, neighborhoods, and residences—all from the architect's point of view. The program provides design enthusiasts and the general public with an inside look into the world of distinctive residences in Sonoma county. Tour participants have the opportunity to see some of the area's latest residential projects from the inside out, meet design teams, explore housing trends, and discover design solutions that inspire unique Sonoma living.

de LaB Presents an Eastside Home Tour: Architects at Home
May 10, 2014
De LaB presents its second annual Eastside home tour, “Architects at Home,” on May 10th from 12:00-4:00 p.m. The popular tour will explore homes designed and built by architects for their own families. A sense of experimentation, playfulness, inspiration, and a creative approach to budget constraints pervade these homes.

The Venice Art Walk
May 18, 2014
The proud tradition of artists and volunteers providing health care to their neighbors in need and the celebration of Venice’s vibrant artistic culture continues today. This event is free and open to the public and features a highly anticipated 350 piece art auction, live entertainment, and an impressive lineup of gourmet food trucks. Participants can purchase tickets to highly regarded Architecture Tours that held throughout the year and/or view exclusive art studios that will be featured on the day of Venice Art Walk & Auctions.

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Celebrate: Groundswell
June 28, 2014
A+D Architecture and Design Museum > Los Angeles (A+D) celebrates its 13th year of cutting edge exhibitions and progressive architecture and design programs with its annual gala and fundraiser.

 

Competitions

Deadline: April 25
Call for Entries (Student Awards) 
ASLA

Deadline: May 18
Imagine Hillandale
Imagine Hillandale

Deadline: June 1 
AIA|LA 2014 Design Awards Program Registration 
AIA|LA

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Thursday
May162013

Book Review: From Art to Architecture

By Michael Webb

Diller Scofidio + Renfro: Architecture After Images. Edward Dimendberg. (The University of Chicago Press, $65).

A timely and penetrating study of a firm that has surged to prominence on the strength of two headline projects in New York: its imaginative transformation of Lincoln Center and the High Line (in association with Field Operations). In both, the architects were highly respectful of existing structures and that augers well for an even greater challenge: extending the Museum of Modern Art without destroying the American Museum of Folk Art. MoMA outraged the architectural establishment by threatening to demolish its next-door neighbor. It will require all of DS+R’s skill to integrate Tod Williams & Billie Tsien’s unique building into the new structure, and convince an overbearing institution to reconsider its threatened act of vandalism.

Established in 1979 by Ricardo Scofidio and Elizabeth Diller, the practice created a succession of playful, subversive art works and installations, which culminated in Blur—a cloud of water vapor hovering over a lake—a major draw for the 2002 Swiss National Exhibition. An innovative apartment block in Japan went largely unnoticed, and their daring design for the Eyebeam Museum in Chelsea was dropped after 9/11.  Not until 2006, with the Institute of Contemporary Art on the Boston waterfront, did they win widespread acclaim.

Edward Dimendberg, a professor of film at UC Irvine, has been tracking DS+R for nine years and he provides an enlightening chronicle of their varied projects and ideas. He quotes historian Siegfried Giedion who wrote, in 1928, that “only film can make the new architecture intelligible.” That’s a questionable assertion: you have to experience a building with all your senses to appreciate its quality--still and moving images can offer no more than a simulacrum. Beguiling as photos of Blur undoubtedly were, they paled beside the experience of walking through that cloud and feeling its wetness.

Dimendberg occasionally lapses into the academic jargon of media studies. “If Diller and Scofidio had early on recognized the utility of the semiological logic of binary oppositions between signifiers and signifieds, the components of the sign for Saussure, they never became enslaved to this model.” Architecture jargon can be just as obfuscatory, but it both cases it’s unnecessary, and these foggy passages are mercifully brief. Dimendberg likens their art pieces to those of Duchamp and Matta-Clark, and he explores their influence as radical teachers at Cooper Union and Princeton. As practitioners and teachers, Diller and Scofidio questioned the premises and assumptions that guide most architects, and in doing so laid the foundation for their later large-scale projects.

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