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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

ASLA SoCal Chapter Quality of Life Design Awards
October 23, 2014
The Southern California chapter of the American Society of Landscape Architects holds its biennial awards, honoring excellence in designs originating in one of the nation's largest chapters and executed across the globe. 77 Projects were submitted and over 40 were awarded by our esteemed jurors in the categories of Design, Planning and Analysis, Communication, Student, and Concepts, Ideas and Theories.

2014 Design Awards Gala
October 29, 2014
The 2014 AIA|LA Design Awards location and date has been set for this year. We are excited to host you at the Heart of Downtown Los Angeles with the ceremony at the Million Dollar Theater and the reception at Grand Central Market. Join us at this amazing and historic venue to honor our winners and honorees.

LA Conservancy Presents "We Heart Garden Apartments!”
November 1, 2014

Imagine living in a garden oasis in the middle of America’s second-largest city. Thousands of people do, and it’s a unique and endangered way of life in development-prone L.A. Here’s a chance to see what life is like in historic garden apartments, “villages in the city” that could never be built today.

New Urbanism Film Festival
November 6–9, 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few.

de LaB's Making LA Conference

November 7, 2014
During the conference, we'll be exploring the themes of Water, Transportation, Density and Community. Our hope is to hear from a diverse range of practitioners, city officials, makers and artists who are deeply involved in/committed to these themes. We're looking to include conversations, videos, slideshows and presentations about projects that are currently in development and recently completed that are promising to shape the future of Los Angeles. Our goal is to showcase ideas, visions, projects and more that explore how Los Angeles can make huge strides in terms of water conservation, transit richness, urban density and important community initiatives. Current confirmed speakers for the water section include: Deborah Weintraub, Deborah Deets, Carol Armstrong, Omar Brownson, WeTap, among others. Other conference speakers include Moby, Mayor Aja Brown, and representative from Side Streets Projects and Resilient Cities, among many others.

What's Out There Weekend Los Angeles—The Public Landscapes of Ralph Cornell
November 8–9, 2014
This What’s Out There Weekend focuses on the built legacy of Los Angeles-based landscape architect Ralph Cornell, who studied at Pomona College and Harvard University, and opened one of the city’s first landscape architecture practices in 1919. Considered by some "the Olmsted of Los Angeles," Cornell is known for his design restraint and thoughtful use of indigenous plantings. His work can be seen throughout Southern California, including Beverly Gardens Park, the UCLA campus, Hillside Memorial Park, downtown LA’s Civic Center, and the restoration of the historic grounds at the National Historic Landmark-designated Rancho Los Cerritos. This What's Out There Weekend features free, expert-led tours of more than a dozen significant Cornell-designed landscapes in greater Los Angeles. 


USGBC-Los Angeles’10th Annual Green Gala

November 13, 2014
The Los Angeles Chapter of the nonprofit U.S. Green Building Council (USGBC-LA) will host the Chapter’s 10th Annual Green Gala on Thursday, November 13, 2014, from 6:30 – 10:30pm at the Avalon Hollywood in Los Angeles, CA. The Green Gala is recognized as the single largest annual vehicle for communication, celebration and bridge-building among those who think, act, design and build greener throughout the County of Los Angeles and its metropolitan areas.

DIEM: Design Intersects Everything Made

November 14, 2014

West Hollywood Design District presents the 3rd annual DIEM: Design Intersects Everything Made, a one-day design symposium that offers culturally resonating discussions, panels and keynotes from leaders in the fields of design, decorative arts, fashion, architecture and fine arts.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Innovation and Design Excellence in Healthcare Facilities Design: Today and Tomorrow
November 21, 2014
Hosted by AIA Los Angeles and AIA San Francisco, Future Care: Design for Health is a one-day healthcare symposium featuring the top minds in healthcare planning, design and construction. Speakers will address the rapidly changing healthcare environment and how these changes impact what healthcare providers need from the design and construction community.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

 

 

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadline: October 31

Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: February 23
I Like Design
Interiors & Sources 

FORM Event Images

Industry Partners

  

  




















 

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Wednesday
May082013

Books: Old Japan Made New

A new monograph explores the compelling work of architect Kengo Kuma.

By Michael Webb

Kengo Kuma: Complete Works.  (Thames & Hudson, $65)

In his erudite introduction, Kenneth Frampton calls Kengo Kuma “quintessentially Japanese” and the 25 projects the architect has selected are deeply rooted in the craft traditions of that country. The title is misleading: Only a quarter of Kuma’s buildings are featured, and the large commercial projects in Beijing that have sustained his practice in recent years are omitted. It’s a wise choice, for Kuma works best on a modest scale with traditional materials. In his foreword, he writes with feeling of his collaboration with traditional craftsmen in rural Shikoku and in Tohuku, a region ravaged by the earthquake and tsunami of 3/11.  “The richness and strength of that culture cannot be understood until one has worked with the people who live there—until one has eaten their food, drunk their sake, talked with the craftsmen and made things with them,” he writes.

Kuma cherishes small places over big cities and has built little in Tokyo. He prizes traditional materials over concrete, which is the default choice for most Japanese architects. Buildings are arranged in three groups: Water and Glass; Wood, Grass, and Bamboo; Stone, Earth, and Ceramics. Up first is an icon to which the architect often refers: a glass house in Atami that seems to float as lightly as a soap bubble on a reflecting pool high above the Japan Sea. The concept was reinterpreted for Z58, a small corporate showcase in Shanghai. Kuma loves to veil his structures, most notably the wood slats of the Nakagawa-machi Hiroshige museum, the checkerboard stone screen of the Lotus House, and the bamboo house he contributed to the Great Wall Commune outside Beijing, which can be rented for short stays. It has proved so popular that the developer has built several replicas.

Browsing the images and Kuma’s eloquent descriptions, I remembered past trips through rural Japan, encountering some of these buildings after a long drive. Of the ones I’ve not seen, the town hall and wood bridge in Yusuhara, a remote community on Shikoku, seem the most compelling. The intricacy of the construction, and the fusion of new and old is dazzling. Closer to home, I spent several ecstatic hours exploring an addition to a classic modern house in New Canaan. Built by John Black Lee (whose name is misspelt here) for himself in 1956, and enhanced by Toshiko Mori in 1992, it was extended by Kuma with an L-plan pavilion that recalls a flight of cranes and seems to hover above the forest floor. Kuma arrived at night in a snowstorm, fell in love with the beauty of the site, and recreated a tiny piece of Japan as his first work in the US. Anyone who admires the traditional architecture of Japan, and Kuma’s genius for reinterpreting it, should commission him to build a house in Montecito before he becomes too dependent on Chinese developers.

 

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