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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

RICS Development Series Los Angeles 2014: Wilshire Grand Center
November 20, 2014
Join RICS Southern California chapter for the launch of their Los Angeles Development Series seminar, which takes an in-depth look at the development and construction of the upscale, world-class Wilshire Grand Project in downtown LA.

Innovation and Design Excellence in Healthcare Facilities Design: Today and Tomorrow
November 21, 2014
Hosted by AIA Los Angeles and AIA San Francisco, Future Care: Design for Health is a one-day healthcare symposium featuring the top minds in healthcare planning, design and construction. Speakers will address the rapidly changing healthcare environment and how these changes impact what healthcare providers need from the design and construction community.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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« Books: Two Southern California Modernists | Main | Building Your Business: Becoming Trade Savvy »
Wednesday
Jul032013

Workbook: Dynamism on the Prairie

Stephen Dietrich Lee's winning design for the Ring at Ragdale, a Lake Forest, Illinois, artists' community plays with porosity. Photography by Rachel Harper/Ragdale.

Set on 50 acres of prairie in Lake Forest, Illinois, Ragdale plays host to a revolving group of artists, writers, composers and choreographers for residencies ranging from two to six weeks. Recently, the organization launched a competition to design and build a new, temporary Ragdale Ring to house summer performances and events. New York–based architect Stephen Dietrich Lee’s entry was the winner, a design, he says, that “worked well in a natural setting and that has very little site impact.” We talked with him a bit more about the competition and his thoughts on the structure.

What prompted you to enter the competition?

We entered the competition for two reasons: Primary—very few competitions permit the architect to actually build a winning scheme, and design-build is something I am very much interested in. This is a way to be a part of each creative aspect: design, analysis, fabrication and construction.

Secondary—This is an inaugural competition that will grow throughout the design community for years to come. We thought about the future more than the present, meaning we were already thinking about the 10, 25 and 50 year Ragdale Ring Design Catalogues. This is an opportunity to be part of something much larger than just designing a temporary performance space.

What was the inspiration behind the design?

The inspiration was derived from an analysis of frames and porosity. We took a chance and proposed an open air structure. I believe the skeletal systems of buildings are one of the most interesting stages of construction. Many physical models were built, which explored the relationship of a single module that is flipped and stitched together creating a lace structure. We then explored the catenary, or self-weight, deflections of creating arches that would allow the lace structure to stand without additional assistance. 

Since it's a temporary structure, how did your approach differ from one that would be permanent? Did you feel more empowered to be whimsical?

The temporality did not persuade our approach. We look at each project and explore relationships within its context. The site has incredible views to a prairie, which is elegantly framed by trees. We knew it was important to maintain the visual connection to the prairie while creating a shell that changes density as one moves around it.

What special considerations were in place given its purpose and temporary role?

We considered the subtlety of how the structure connects to the earth. The structure weighs 4000 pounds and is carefully anchored to the earth. We knew it was important to minimize material waste. Because the structure is temporary, we knew it was important to stretch our dollar. Introducing a modular and repeatable system that generated 374 boards of the same length was a driving force. The only waste generated from the 2x6 wood members is from cutting them in half and drilling four holes in each board for their connections.

Were its purpose versus its temporary status in opposition or did that not come into play?

The purpose and temporality were never at opposition throughout our studies. We find that program and structure play well together. For example, the structure feels very neutral as a backdrop for a performance. But when one moves through the landscape the Ring is much more active because its density and geometry is much more dynamic. When the Ring is not hosting an event the Ring is the event.

6) What is the key thing you'd like to communicate to our readers?

We developed a scheme that worked well in a natural setting that has very little site impact. We are always challenging ourselves to minimize our impact on the environment. It is important to use our resources sparingly and create dynamic structures.

 

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