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Events

Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Gearing Up for Better, Healthier, and More Efficient Homes
September 19, 2014
The USGBC will present, Gearing Up for Better, Healthier, and More Efficient Homes, at the upcoming AltCar Expo on Friday, September 19th at 9:30am.   Designed for building & design professionals, the lecture addresses the need to erect higher performing buildings and the push towards zero net energy buildings. Panelists include:  Tim Kohut, AIA Architect, Green Dinosaur; Lena Ashby Senior Sustainability Coordinator, Green Dinosaur; and Joel Cesare, Sustainable Building Advisor, City of Santa Monica.

10th Annual KAYAK and SUP Coastal Cleanup Day Event
September 20, 2014
On Saturday, September 20, from 8:15am–1:30pm, The Bay Foundation (TBF) will host its 10th Annual Marina del Rey Kayak Cleanup Day Event as part of the greater annual Coastal Cleanup Day (CCD) which draws over 14,000 volunteers from across Los Angeles County to hundreds of events. As the longest-running kayak and SUP cleanup site, the TBF event is immensely popular each year and spaces fill up early.

San Francisco Living: Home Tours
September 20–21, 2014
AIA San Francisco and the Center for Architecture + Design are excited to announce the 12th annual San Francisco Living: Home Tours, a two-day open house event featuring a select number of modern residences. The popular weekend showcases a wide variety of architectural styles, neighborhoods and residences, including single-family homes, contemporary renovations and multi-family residences, and is the first tour series in the Bay Area to promote residential design from the architect's point of view. Throughout the weekend, tour participants can see some of the city's latest residential projects from the inside out, meet design teams, explore housing trends, and discover innovative design solutions that inspire unique San Francisco living.

Detroit Design Festival
September 23–28, 2014
Presented by the Detroit Creative Corridor Center (DC3), and supported by the Knight Foundation, the fourth-annual Detroit Design Festival spans all design disciplines and brings together commerce, culture, education, and entertainment with a full, varied program of exhibitions, openings, installations, shows, talks, open studios, fashion shows, product previews, performances and workshops.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

Docomomo US Tour Day 2014
October 11, 2014

Docomomo US is pleased to announce the full schedule of Tour Day, one of the largest national programs devoted to the appreciation of Modern architecture in the United States. Set to take place on October 11, 2014 and throughout the month of October, this year’s event includes more than 50 tours planned in 21 states and 37 individual cities and brings together 17 Docomomo US Chapters, 5 Friend Organizations, in addition to architecture and preservation organizations, architects, historians, designers, and enthusiasts. Hosted by many of the leading preservation voices, Tour Day 2014 events will offer something for everyone.

Westedge Design Fair
October 16–19, 2014
The curated fair features over 150 leading and emerging, domestic and international furnishings brands. Catering to both trade and consumers, the event offers a complete experience for attendees, including panel discussions and workshops, culinary activities, custom installations, and a series of special events.

4th Annual Found L.A.
October 19, 2014
On Sunday, October 19, 2014, the non-profit L.A. Commons (www.lacommons.org) will host its 4th annual Found L.A: Festival of Neighborhoods, and its first based on a mayoral theme, Los Angeles Mayor Eric Garcetti’s Great Streets Program. Angelenos will explore the main arteries of neighborhoods around the city, developed and not so, and meet the people in the center of activity there.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

 

 

 

 

Competitions

Deadline: October 31
Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Monday
Jul082013

Books: Two Southern California Modernists

Edward A. Killingsworth: an Architect’s Life. Jennifer M. Volland and Cara Mullio. Hennessy + Ingalls, $60.

A. Quincy Jones: Building for Better Living. Edited by Brooke Hodge. Hammer Museum and Del Monico Books/Prestel, $60.

By Michael Webb

For an architect to win fame, it helps to be dead. Louis Kahn commanded attention from only an enlightened few during his painful struggle to win commissions; today, he is acclaimed as one of the giants of modernism. Still more is that true in southern California, where R.M.Schindler and John Lautner were ignored or dismissed during their lifetimes but are now seen as seminal figures. A host of lesser talents await their due

Edward Killingsworth (1917-2004) was a quiet modernist who made his mark in Long Beach, a community that languishes in the shadow of LA. Jennifer Volland and Cara Mullio explored its little-known legacy in their 2004 guide, Long Beach Architecture: the Unexpected Metropolis, and their research led them to Killingsworth. Just before his death, they interviewed him and organized his archive, which is now at UCSB. Thir research and the exhibition they curated in 2008 laid the foundation for this exemplary monograph. Text and pictures provide a detailed portrait of the man and his 50-year practice, from his early success in progressive residential design to a scatter of hotels and commercial buildings around the world.

Killingworth expressed the optimism of the post-war era and maintained his commitment to rational modern design up to his retirement in 2001. His cool, open structures, with their lightweight frames, high ceilings and expansive glazing are tailored to the region and its benign climate.  He had devoted admirers and a host of clients. John Entenza published 30 of his early projects in Arts + Architecture and invited his firm to make four contributions to the Case Study House program. But his home-town loyalties (including his master plan for Cal State Long Beach) and his focus on building types for which the architect is rarely credited, obscured the range of his achievement. This tribute should bring him belated recognition.



A. Quincy Jones (1913-79) was a contemporary of Killingsworth and the two architects had much in common. Both were pragmatic modernists, favoring comfort and livability over formal innovation. Jones was the more prolific, realizing more than 5000 projects—mostly residential—in a mere 35 years. His impact was huge and enduring and, by working with Eichler and other enlightened developers, he popularized modernism on a scale no other architect has approached. And yet, like Killingsworth, his name was little known beyond a small circle of admirers and clients. 

This book serves as a catalogue to a splendid little exhibition at the Hammer Museum in Westwood. Curated by Jennifer Dunlop Fletcher and beautifully installed by Chu + Gooding Architects, it’s a model of how to make architecture sing within the confines of a gallery. Wall-sized photos and furnished rooms give visitors a sense of walking into one of the many Jones houses in Crestwood Hills and other LA communities. Frederick Fisher is the happy owner of Jones and Emmons 1950s office in Santa Monica, which feels as fresh and inviting as when it was new. Too many of Killingsworth’s designs went unrealized or have been demolished; Jones’s buildings remain a lively presence all over southern California. 

In her introductory essay, Fletcher describes Jones as “the ultimate insider” socializing with the elite while wooing a mass public. “Perhaps that is why his reputation is less celebrated than that of his cohorts,” she suggests. In this re-evaluation of his work, photographer Jason Schmidt played a key role, traveling around with Hammer curator Brooke Hodge to capture the spirit of the work in new images. They include houses that have been lovingly preserved or newly restored by such enthusiasts as Cory Buckner and Escher GuneWardena. From these one can see than the aesthetic of Jones and his collaborators is of its time and timeless, and understand why it exercised such strong appeal across the socio-economic spectrum, from the Annenbergs in Rancho Mirage to a newly married couple in their first Eichler home. 

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