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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Tuesday
Aug132013

Showroom: Surface Matters

SOLI Architectural Surfaces just introduced Equus, one of three stunning new stones, to its product line up. Image courtesy SOLI Architectural Surfaces.SOLI Architectural Surfaces has recently introduced three new luxe stones with colors and patterns that offer a great mix of neutral and bold. The additions bring more depth to the wide assortment of surface options the company carries.

On the neutral end of the spectrum, Loire, a polished quartzite, is offered in both light and dark options. It pairs well with accent stones from the company’s existing lines and can be used inside or out.

Two of the new stones, Lotus and Equus bring rich, deep colors and great pattern to the table. Lotus comes from a small quarry in India and is the first purple stone for Soli. Equus also brings a splash of color to the SOLI range—the vein-cut marble comes from a small quarry in China. It comes in a polished or acid-etched finish, offering a choice for formal and informal spaces.

The new color choices spring, in part, Kristin Barker, the company's vice president of marketing, says, “from our job a manufacturer to anticipate trends and bring people material that will inspire a project. We always want to add items that people will build a space around and deliver a surface that they didn't know that they were even looking for.” 

Besides providing new color options, the stones all come as slabs, a frequent customer request. “Clients want the versatility in size so that the same stone to be used as a floor tile and a countertop,” notes Barker. “Certain stones, like the Lotus, lend themselves to slabs. With the Equus, we tried to be more conscious of where people might install the material. The stone is vein cut and, being so linear, lends itself beautifully to a 12-by-24 rectangle-shaped tile. We also brought it in slab so that designers had the option for larger sizes and weren't limited by the tile format."

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