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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

RICS Development Series Los Angeles 2014: Wilshire Grand Center
November 20, 2014
Join RICS Southern California chapter for the launch of their Los Angeles Development Series seminar, which takes an in-depth look at the development and construction of the upscale, world-class Wilshire Grand Project in downtown LA.

Innovation and Design Excellence in Healthcare Facilities Design: Today and Tomorrow
November 21, 2014
Hosted by AIA Los Angeles and AIA San Francisco, Future Care: Design for Health is a one-day healthcare symposium featuring the top minds in healthcare planning, design and construction. Speakers will address the rapidly changing healthcare environment and how these changes impact what healthcare providers need from the design and construction community.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Wednesday
Aug212013

Showroom: Sleek Forms Made in Nicaragua

 

Furniture designed by Aaron Poritz is crafted of wood felled in a 2007 hurricane in Nicaragua. Image courtesy Aaron Poritz.

“I approach every design—a building or piece of furniture—as a problem that needs to be solved,” says designer Aaron Poritz. A B.Arch graduate of California College of the Arts, Poritz recently launched a new furniture line. Here’s the twist. The collection is made in Nicaragua from wood sourced from the country’s North Atlantic Autonomous Region, where a 2007 hurricane had felled thousands of hardwood trees.

Connections hooked him up with the mill and its singular materials, and the rest is history. “It was a great opportunity to use wood that I'd never want to or would support cutting down,” he says. “I saw it as a chance to do a line and spent six months prototyping the collection.”

The tropical hardwoods have allowed him to experiment with shapes and forms. “I like to express the capacity of materials," says Poritz. "The wood in Nicaragua is dense and allows me a certain degree of thinness that I couldn’t achieve with American woods. Since it’s so strong, I can make a chair that’s thin with non-standard angles.”

The Balcones dining chair, which started life as a commission for a friend, was the first piece Poritz designed. As with the rest of the pieces in the collection, the look is contemporary, warmed up by the rich wood. He keeps the ornament to a minimum—a touch of darker wood here and there. The real interest is in the form itself. “I took classic joinery and applied it in a more modern feel,” he says.

Practical considerations drive his formal decisions to some extent. “They don’t have fancy machinery. Most of the work is done by hand by skilled carpenters, so there aren’t a lot of curvilinear forms,” he says. “Most of the pieces are angular straight. It’s partly my aesthetic but also being realistic about what they can do at the mill—and if it can be repeated.”

 

 

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