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Events

Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Detroit Design Festival
September 23–28, 2014
Presented by the Detroit Creative Corridor Center (DC3), and supported by the Knight Foundation, the fourth-annual Detroit Design Festival spans all design disciplines and brings together commerce, culture, education, and entertainment with a full, varied program of exhibitions, openings, installations, shows, talks, open studios, fashion shows, product previews, performances and workshops.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

Case Study & Site Tour
October 2, 2014
Steven Ehrlich will discuss his elevon designs at an Urban Land Institute Los Angeles event at elevon at Campus El Segundo. He will be joined by representatives of the development and leasing teams.

Docomomo US Tour Day 2014
October 11, 2014

Docomomo US is pleased to announce the full schedule of Tour Day, one of the largest national programs devoted to the appreciation of Modern architecture in the United States. Set to take place on October 11, 2014 and throughout the month of October, this year’s event includes more than 50 tours planned in 21 states and 37 individual cities and brings together 17 Docomomo US Chapters, 5 Friend Organizations, in addition to architecture and preservation organizations, architects, historians, designers, and enthusiasts. Hosted by many of the leading preservation voices, Tour Day 2014 events will offer something for everyone.


Westedge Design Fair
October 16–19, 2014
The curated fair features over 150 leading and emerging, domestic and international furnishings brands. Catering to both trade and consumers, the event offers a complete experience for attendees, including panel discussions and workshops, culinary activities, custom installations, and a series of special events.

4th Annual Found L.A.
October 19, 2014
On Sunday, October 19, 2014, the non-profit L.A. Commons (www.lacommons.org) will host its 4th annual Found L.A: Festival of Neighborhoods, and its first based on a mayoral theme, Los Angeles Mayor Eric Garcetti’s Great Streets Program. Angelenos will explore the main arteries of neighborhoods around the city, developed and not so, and meet the people in the center of activity there.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few.

 

 

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadline: October 31

Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Monday
Aug262013

Book Review: Looking at Books

By Michael Webb

The Book of Books: 500 Years of Graphic Innovation. Edited by Mathieu Lommen. Thames & Hudson, $65.

Too many obituaries for the printed word have appeared on-line, and most will vanish into the virtual wasteland that swallows most digital utterances. Print has survived for more than five centuries and it will take more than Twitter and blogs to render it obsolete. Rather, we seem to be returning to the Middle Ages, when a well-educated minority read books and everyone else relied on preachers and gossip. So, three cheers for Thames & Hudson, which continues to publish inspiring titles even as their competitors dumb down. 

This is an aesthetic history of the book, a celebration of typography and printed illustrations from their invention to the present day. It’s full of fascinating information. Movable type was first used by Gutenberg in Mainz in 1450; within 20 years there were dozens of print workshops all over Europe. Soon after, it became an industry employing a multitude of typefaces. Plantin, Bodoni and Baskerville designed fonts that are still in use. Contemporaries probably deplored printed books, simply illustrated with woodcuts and engravings, comparing them unfavorably to the hand-crafted beauty of illuminated manuscripts, though these were limited to a privileged few and were mostly devotional. In contrast, books rapidly embraced all of human knowledge and speculation. The Nuremberg Chronicle of 1493 attempted a history of the world on a monumental scale, and 400 of the original 1400 copies have survived. 

Printing was born in the early Renaissance, and it was the ideal medium for that age of scholarship and discovery, and the triumph of learning over obscurantism. Increasingly, books were published in the vernacular rather than Latin, and the best of them were created by master printers and artists of the caliber of Dürer and Leonardo. For a century, the Dutch dominated the book trade, and the classics illustrated here were selected from the University of Amsterdam’s Special Collections. In the 19th century, the introduction of electrotyping brought books to the masses and relegated letterpress to the collectors market. 

Browsing this extraordinary compendium, you are drawn into vanished worlds of artistry and invention, before turning the page to avant garde layouts conceived 90 years ago by Fernand Léger, El Lissitsky and Karel Teige, which are still startling. All too soon, we are in familiar territory. Monty Python is juxtaposed with Massimo Vignelli; the surprises never stop.

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