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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

ASLA SoCal Chapter Quality of Life Design Awards
October 23, 2014
The Southern California chapter of the American Society of Landscape Architects holds its biennial awards, honoring excellence in designs originating in one of the nation's largest chapters and executed across the globe. 77 Projects were submitted and over 40 were awarded by our esteemed jurors in the categories of Design, Planning and Analysis, Communication, Student, and Concepts, Ideas and Theories.

2014 Design Awards Gala
October 29, 2014
The 2014 AIA|LA Design Awards location and date has been set for this year. We are excited to host you at the Heart of Downtown Los Angeles with the ceremony at the Million Dollar Theater and the reception at Grand Central Market. Join us at this amazing and historic venue to honor our winners and honorees.

LA Conservancy Presents "We Heart Garden Apartments!”
November 1, 2014

Imagine living in a garden oasis in the middle of America’s second-largest city. Thousands of people do, and it’s a unique and endangered way of life in development-prone L.A. Here’s a chance to see what life is like in historic garden apartments, “villages in the city” that could never be built today.

New Urbanism Film Festival
November 6–9, 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few.

de LaB's Making LA Conference

November 7, 2014
During the conference, we'll be exploring the themes of Water, Transportation, Density and Community. Our hope is to hear from a diverse range of practitioners, city officials, makers and artists who are deeply involved in/committed to these themes. We're looking to include conversations, videos, slideshows and presentations about projects that are currently in development and recently completed that are promising to shape the future of Los Angeles. Our goal is to showcase ideas, visions, projects and more that explore how Los Angeles can make huge strides in terms of water conservation, transit richness, urban density and important community initiatives. Current confirmed speakers for the water section include: Deborah Weintraub, Deborah Deets, Carol Armstrong, Omar Brownson, WeTap, among others. Other conference speakers include Moby, Mayor Aja Brown, and representative from Side Streets Projects and Resilient Cities, among many others.

USGBC-Los Angeles’10th Annual Green Gala

November 13, 2014
The Los Angeles Chapter of the nonprofit U.S. Green Building Council (USGBC-LA) will host the Chapter’s 10th Annual Green Gala on Thursday, November 13, 2014, from 6:30 – 10:30pm at the Avalon Hollywood in Los Angeles, CA. The Green Gala is recognized as the single largest annual vehicle for communication, celebration and bridge-building among those who think, act, design and build greener throughout the County of Los Angeles and its metropolitan areas.

DIEM: Design Intersects Everything Made

November 14, 2014

West Hollywood Design District presents the 3rd annual DIEM: Design Intersects Everything Made, a one-day design symposium that offers culturally resonating discussions, panels and keynotes from leaders in the fields of design, decorative arts, fashion, architecture and fine arts.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Innovation and Design Excellence in Healthcare Facilities Design: Today and Tomorrow
November 21, 2014
Hosted by AIA Los Angeles and AIA San Francisco, Future Care: Design for Health is a one-day healthcare symposium featuring the top minds in healthcare planning, design and construction. Speakers will address the rapidly changing healthcare environment and how these changes impact what healthcare providers need from the design and construction community.

 

 

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadline: October 31

Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

FORM Event Images

Industry Partners

  

  




















 

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Tuesday
Aug272013

Designing the Future: A Conversation with Brodie Neill

The Supernova table, part of Made in Ratio's debut collection designed by Brodie Neill, has already been lauded in design circles. Image courtesy Made in Ratio.Launched just this spring, Made in Ratio has quickly begun making a name for itself in the design world. The London-based company's Supernova table garnered a Product of the Year Award and the firm itself was heralded as Newcomer of the Year at the Mixology Awards, work in the contract field. The collection started off big, with creative director Brodie Neill creating a range of seating, lighting, tables and storage that play with color, form and material. Today, we're delighted to share Brodie's thoughts on becoming a designer and his design process as part of our series highlighting younger designers. If you're in London next month for the Design Festival, Made in Ratio will be showing at designjunction. Stop by and check out the pieces. 

What inspired you to become a designer?

It was a gradual evolution rather than a sudden awakening. I was always creative and building furniture was a passion of mine as a teenager. I loved learning about how things went together and then reworking them. The decision to pursue a career in design was a natural progression from what I loved most. It just made sense. 

Describe your aesthetic in 3 words . . . 

Organic, sculptural, tactile. The designs are visually provocative but also engaging to the user.  

Where did you learn your craft? 

I grew up in Tasmania and studied product design there with a very hands-on, artisanal approach. The emphasis was on being a designer-maker and producing your own designs. You learned how to bring your ideas into being along the way and that’s stayed with me. As my designs are quite experimental in form, they are also quite experimental in how they’re made. As you design the form you’re also designing the process. I also did a master’s degree in the US and studied more digitally. Being able to explore complex 3D forms and virtual depth really expands the imagination. It’s good to learn how what you see on screen will sit in a physical space. 

Made in Ratio's Creative director Brodie Neill. Image courtesy Made in Ratio.

How did Made in Ratio come about?

Made in Ratio came about after a series of conversations between myself and a colleague about starting a new kind of design company. Made in Ratio offers an opportunity to take a collection of designs right through from inception from production.We’re aiming to deliver intelligent design directly to our customers, unencumbered by industry conventions. A lot of my designs really do re-think the production process and often that sort of engineering task involves a bit of head scratching and extra thought. Sometimes when you’re challenged the end result is more interesting. 

Can you give an example of that from the launch collection?  

The plywood chaise and chair go beyond what is expected of a plywood piece. We experimented with folding it in on itself to make entirely self-supporting, organic shapes. It took quite a while to find a production partner who would take on such a project. Fortunately we found someone who was as adventurous as us. People are often reticent to move beyond what they already know.

What sets Made in Ratio apart from other design brands? 

Our approach is what differentiates us from other design studios. We follow things to the Nth degree to seek perfection. Hard sweat and toil are involved. It’s almost like the design goes further because it doesn’t just stop at an idea. It actually is seen through the entire process of prototyping, production and design. Recently, We’ve been really toiling to get a lamp right, going through every component, laboring each bit. We tried to rush the last piece and we looked at it said ‘no, no. The bottom bit’s got to be as perfect as the rest.’ And then, of course, we started re-evaluating the whole thing from the top down!  

Who are your design heroes?

I always admire people who work tirelessly to achieve perfection, like the Eames’.  

What do hope your design legacy will be?

I hope Made in Ratio will become known as a source of well designed, innovative, beautifully made pieces that push the envelope in terms of what furniture can be. 

 

 

 

 

 

 

 

 

 

 

 

 

 

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