LinkedIn
Facebook
Twitter




Sponsors





Events

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Japanese Design Today 100
June 27–July 19, 2014
The Japan Foundation presents the World premiere of the exhibition Japanese Design Today 100, which opens at UCLA’s Department of Architecture & Urban Design at Perloff Hall. This exhibition showcases the Designscape of contemporary Japan through 100 objects of Japanese design: 89 objects created since 2010 that are well known in Japan, as well as 11 objects that represent the origin of Japanese post-war modern product design. These 100 product designs are displayed in 10 categories: Classic Japanese Design, Furniture & Housewares, Tableware & Cookware, Apparel & Accessories, Children, Stationery, Hobbies, Healthcare, Disaster Relief, and Transportation.

BAM/PFA New Building Topping Out Celebration
July 17, 2014
Construction is nearing midpoint at the downtown Berkeley site of the future home of the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA). Workers will soon be erecting the last of the steel beams that form the frame of this dynamic building. To celebrate this important milestone, BAM/PFA invites its Bay Area friends and neighbors to a “topping out” ceremony on Addison Street, between Shattuck Avenue and Oxford Street.

39th Annual American Craft Council San Francisco Show
August 8–10, 2014

The American Craft Council returns to San Francisco for its 39th Annual American Craft Council San Francisco Show this August 8-10, 2014 at Fort Mason Center. As the largest juried fine craft show on the West Coast, the 2014 San Francisco Show is expected to draw more than 12,000 fine craft collectors and design enthusiasts.

Conversations in Place 2014
August 10, 2014
ow in its third year, Conversations in Place 2014 begins another series of illuminating explorations of “Southern California – Yesterday and Tomorrow” at the historic Rancho Los Alamitos. The 4-part series begins Sunday, August 10 and continues through Sunday, November 2. The series begins with W. Richard West, Jr, President and CEO of The Autry National Center of the American West, Milford Wayne Donaldson, FAIA, chairman of the United States Advisory Council on Historic Preservation, and Pamela Seager, Executive Director of Rancho Los Alamitos, and Architect Stephen Farneth, FAIA, founding partner of the award-winning historic preservation firm Architectural Resources Group, in conversation about the place of museums and historic sites in shaping the story of Southern California. Can these institutions escape the straightjacket of the time to better interpret history to the 21st century?

NOW AND NEXT 2014 Symposium on Technology for Design and Construction
August 13–15, 2014
Meet thought leaders and colleagues interested in architecture, engineering, construction, open BIM Exchange, software trends and more. Learn about the innovations that are moving companies and people forward
including: where and how design and delivery is shifting; which software applications are transformative; best practices for collaborative project delivery; how to engage with the global BIM community. Connect with and hear from the best and the brightest such as Jordan Brandt, AutoDesk; Deke Smith, buildingSMART alliance; Ray Topping, Fiatech; Bill East, Prairie  Sky Consulting (formerly of the US Army Corps of Engineers).

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

FORM Event Images

Industry Partners

  

  




















 

Hidden
« Elements: Material Matters | Main | Showroom: Sitting Pretty Outside »
Thursday
Aug292013

Exhibition Design: Clive Wilkinson Talks Never Built

Architect Clive Wilkinson talks to us about the ideas behind his design for the A+D Museum's Never Built: Los Angeles show. Image courtesy A+D Museum.“Our concern was how to tell the story of so many different artifacts,” Clive Wilkinson, the president and design director of his eponymous architecture firm, says of the driving idea behind the design of the Never Built: Los Angeles exhibition, on view now through October 13 at the A+D Museum. New to the exhibition-design game, Wilkinson, who worked with Jenny Myers, Mathew Moran and many others, initially drew on his retail-design experience to underpin his concept for the space.

“What’s unique about retail is that it’s often a limited experience of only one room,” he says. “The emphasis on how you use the space and map information to enhance the user experience. When a show’s well-designed, it’s like good retail design in a sense—but you’re communicating a product that’s more interesting than retail.”

The plan called for opening up the space of the museum (he and his team avoided building walls). Two existing columns were wrapped with tower elements, effectively taking them out of the spatial equation. To preserve light-sensitive exhibition materials, “we closed off the storefront,” says Wilkinson. “It turned into an advantage, so the experience didn’t leach out on to the street and made it more of a cohesive experience.” The floor features a 1938 map of the city “to locate everything geographically and emphasize the urban nature of these schemes,” he says. 

While the map was chosen in large part because of expediency—it was difficult to get ahold of a high-enough resolution map of the city—it proved serendipitous. “It was the chronological midpoint of the show, and the map of the city as it was known to the people coming up with these ideas,” says Wilkinson. “The city was in transition, a set of towns coming together. If we’d used a map of the city today, it would be much more developed with no empty patches on the map. Permanent infrastructure would be there. That’s not the city that was the starting point of these ideas. Some of these projects were hugely naïve and optimistic and quite silly.”

As for the physical installation of the show, “there’s a lot of ambiguity around the artifacts,” notes Wilkinson. Details on sizes and shapes sometimes weren’t known until the last moments. “You have to have a lot of flexability about how you handle the artifacts,” he says. “We had to have casual and robust infrastructure so we could add 12 inches to a plinth. We realized this at the beginning and adopted it as the guiding principal.”

Beyond adding exhibition designer to his already jam-packed portfolio, his work on the show caused him to reflect on the state of architecture in general. “If you’re true to yourself,” he says, “the 1950s and 60s more fun period to be an architect. There was a greater appreciation for the new and modern.”

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>