LinkedIn
Facebook
Twitter




Sponsors





Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

RICS Development Series Los Angeles 2014: Wilshire Grand Center
November 20, 2014
Join RICS Southern California chapter for the launch of their Los Angeles Development Series seminar, which takes an in-depth look at the development and construction of the upscale, world-class Wilshire Grand Project in downtown LA.

Innovation and Design Excellence in Healthcare Facilities Design: Today and Tomorrow
November 21, 2014
Hosted by AIA Los Angeles and AIA San Francisco, Future Care: Design for Health is a one-day healthcare symposium featuring the top minds in healthcare planning, design and construction. Speakers will address the rapidly changing healthcare environment and how these changes impact what healthcare providers need from the design and construction community.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

FORM Event Images

Industry Partners

  

  




















 

Hidden
« Showroom: Everything in Its Place | Main | Workbook: The Specifics at The General »
Tuesday
Aug062013

Exhibitions: Worst-Laid Plans: Design Disasters That Were ‘Never Built’


A rendering of the proposed Causeway, off Santa Monica. It's one of the more regrettable, and fortunately unbuilt, design ideas that appear in Never Built Los Angeles, the new exhibition at the A+D Museum. Image courtesy A+D Museum.

By Jack Skelley

Never Built Los Angeles, the A+D Museum exhibit co-curated by Sam Lubell and Greg Goldin and designed by Clive Wilkinson Architects, is the talk of the town. The project (plus a staggeringly comprehensive book) spotlights significant places and plans imagined for the city that couldn’t get off the drawing board.

There are many sighs of regret for excellence that might have been; the “visionary works that had the greatest potential to reshape the city,” as the curators state. In his thoughtful review, Los Angeles Times architecture critic Chris Hawthorne terms the show a “revelatory… attempt to corral the city's most beautiful architectural ghosts.”

Implicit in this lament is the truth that Los Angeles has far too often been an architectural and planning disaster. If only, for example, the powers-that-be had embraced the Olmsted Brothers proposal to unite the city through extensive new parks, we wouldn’t be one of the most greenspace deprived cities in the world. (That plan is an exhibit highlight.) Or, if only they hadn’t dismantled the Red Car streetcar system and erected those community-carving freeways, our neighborhoods might thrive much more dynamically.

But the show is as much “thank goodness” as “if only…” It proves the city wisely aborted a rogues’ gallery of hideous monuments to greed, ego or now-discredited design trends. 

Its most jolting examples include Santa Monica Causeway—a late 1960s scheme to span a freeway across the bay using 120 million cubic yards of fill from the Santa Monica Mountains. The only suitable response to such a monstrosity should be, “Are you freaking kidding?” But at the zenith of freeway worship and promoted by the city of Santa Monica and L.A. Mayor Sam Yorty, it took a veto by Governor Pat Brown to kill the thing.

Other misbegotten plans are dangerously cloaked in architecture du jour. Lloyd Wright's 1925 Civic Center Plan appears to be a Fritz Lang Metropolis–style fortress with the defective vision of many successive “improvements” of Downtown L.A.: Purporting to renew the city, it risks smashing an authentic urban fabric with mega monoliths. This is the same mentality that in the 1960s bulldozed the priceless Victorian neighborhood atop Bunker Hill to impose a financial and entertainment district (The Music Center) that already existed downhill on Spring Street.

During my decade as an editor of L.A. Downtown News, I was privy to a parade of such plans, large and small. Today, some more worthy ones still cling to the drawing board. Others may be, mercifully, “Never Built.” 

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>