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RICSSummit of the Americas Toronto 2014
May 4-6, 2014
RICS Summit of the Americas 2014 is for any real estate professional looking to draw from timely, in-depth market knowledge that will be shared by local and international experts in the land, property and construction sectors. The summit will provide an excellent opportunity to connect with top professionals from around the world and engage in educational seminars and premier discussion forums. 

Sonoma Living: Home Tours
May 10, 2014
AIA San Francisco and AIA Redwood Empire are excited to announce Sonoma Living: Home Tours, a new home tours program for 2014. Sonoma Living will showcase a wide variety of architectural styles, neighborhoods, and residences—all from the architect's point of view. The program provides design enthusiasts and the general public with an inside look into the world of distinctive residences in Sonoma county. Tour participants have the opportunity to see some of the area's latest residential projects from the inside out, meet design teams, explore housing trends, and discover design solutions that inspire unique Sonoma living.


Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century. 

 

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AIA|LA 2014 Design Awards Program Registration 
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Deadline: December 31
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Tuesday
Sep172013

Book Review: Recalling a Modern Master

By Michael Webb

It’s Modern: The Eye and Visual Influence of Alexander Liberman. Charles Churchward. Rizzoli, $65.

There’s a fairy tale quality about the life and careers of Alexander Lieberman. An emigré from Kiev, he was briefly touched by the Russian avant garde, edited the first magazine of photo journalism in Paris in the 1930s, narrowly escaped to the US in 1941, was swiftly fired from his first two jobs but spent the next 50 years in art direction at Condé Nast. Even as he honed his reputation as an artist and social lion, he became editorial director of the entire publishing empire, from Vogue to Allure. He re-launched Vanity Fair and House & Garden and inaugurated new titles. Nobody will ever again exercise such authority and for so long. Adaptability was his greatest gift. An exacting stylist, he could reconceive magazines every decade and for every demographic, remaking layouts for hours at a time, before returning to his Connecticut studio to work on an abstract painting or sculpture.

This is a portfolio of gorgeous images and spreads spanning seven decades, including a few that still have the shock of the new. Beauty and couture alternate with artwork. The layout is conventional (Liberman would surely have torn into it) and the text is cramped and pedestrian, but it provides the essential information. The man emerges from the myth: a supremely elegant arbiter of style, applying his talents to the ephemeral follies of fashion. He married a Russian beauty, the mother of novelist Francine du Plessix Gray, hired and fired the finest photographers, and outmaneuvered imperious editors. As his friend Beatrice Monti remarked, “I can’t imagine another Alex. The time is past for that.”

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