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Events

Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Gearing Up for Better, Healthier, and More Efficient Homes
September 19, 2014
The USGBC will present, Gearing Up for Better, Healthier, and More Efficient Homes, at the upcoming AltCar Expo on Friday, September 19th at 9:30am.   Designed for building & design professionals, the lecture addresses the need to erect higher performing buildings and the push towards zero net energy buildings. Panelists include:  Tim Kohut, AIA Architect, Green Dinosaur; Lena Ashby Senior Sustainability Coordinator, Green Dinosaur; and Joel Cesare, Sustainable Building Advisor, City of Santa Monica.

10th Annual KAYAK and SUP Coastal Cleanup Day Event
September 20, 2014
On Saturday, September 20, from 8:15am–1:30pm, The Bay Foundation (TBF) will host its 10th Annual Marina del Rey Kayak Cleanup Day Event as part of the greater annual Coastal Cleanup Day (CCD) which draws over 14,000 volunteers from across Los Angeles County to hundreds of events. As the longest-running kayak and SUP cleanup site, the TBF event is immensely popular each year and spaces fill up early.

San Francisco Living: Home Tours
September 20–21, 2014
AIA San Francisco and the Center for Architecture + Design are excited to announce the 12th annual San Francisco Living: Home Tours, a two-day open house event featuring a select number of modern residences. The popular weekend showcases a wide variety of architectural styles, neighborhoods and residences, including single-family homes, contemporary renovations and multi-family residences, and is the first tour series in the Bay Area to promote residential design from the architect's point of view. Throughout the weekend, tour participants can see some of the city's latest residential projects from the inside out, meet design teams, explore housing trends, and discover innovative design solutions that inspire unique San Francisco living.

Detroit Design Festival
September 23–28, 2014
Presented by the Detroit Creative Corridor Center (DC3), and supported by the Knight Foundation, the fourth-annual Detroit Design Festival spans all design disciplines and brings together commerce, culture, education, and entertainment with a full, varied program of exhibitions, openings, installations, shows, talks, open studios, fashion shows, product previews, performances and workshops.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

Docomomo US Tour Day 2014
October 11, 2014

Docomomo US is pleased to announce the full schedule of Tour Day, one of the largest national programs devoted to the appreciation of Modern architecture in the United States. Set to take place on October 11, 2014 and throughout the month of October, this year’s event includes more than 50 tours planned in 21 states and 37 individual cities and brings together 17 Docomomo US Chapters, 5 Friend Organizations, in addition to architecture and preservation organizations, architects, historians, designers, and enthusiasts. Hosted by many of the leading preservation voices, Tour Day 2014 events will offer something for everyone.

Westedge Design Fair
October 16–19, 2014
The curated fair features over 150 leading and emerging, domestic and international furnishings brands. Catering to both trade and consumers, the event offers a complete experience for attendees, including panel discussions and workshops, culinary activities, custom installations, and a series of special events.

4th Annual Found L.A.
October 19, 2014
On Sunday, October 19, 2014, the non-profit L.A. Commons (www.lacommons.org) will host its 4th annual Found L.A: Festival of Neighborhoods, and its first based on a mayoral theme, Los Angeles Mayor Eric Garcetti’s Great Streets Program. Angelenos will explore the main arteries of neighborhoods around the city, developed and not so, and meet the people in the center of activity there.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

 

 

 

 

Competitions

Deadline: October 31
Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Industry Partners

  

  




















 

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Monday
Sep092013

The FORM Questionnaire: A Conversation with Vincent Celano

Vincent Celano, principal of the new firm Celano Design Studio shares his thoughts on design past, present and future. Image courtesy Celano Design Studio.Toronto-born, but a die-hard New Yorker for most of his life, Vincent Celano has racked up an impressive list of projects to say the least. His portoflio encompasses nightclubs from Miami to Chicago, restaurants in Las Vegas, the list goes on. His newest venture is Celano Design Studio, which opened its doors earlier this year. We're delighted that he took a moment to share his thoughts on the state of the profession and what makes him tick. 

What direction do you see your profession heading?

I see the design field expanding in terms of the scope of the work we do. Our industry does not just design anymore, it encompasses everything that goes into the experience of a space from the interior to branding to what the staff is wearing—everything. On the flip side, I also notice that some firms are becoming more specific, specializing in one of these components in particular, like branding or graphic design. All of these aspects weave in and out of our profession.

What buildings inspire you?

The Flatiron building—I can see it from my office window. It’s iconic in this part of the city and, to me, it represents the transition the neighborhood is going through right now. When I was growing up, I went to school in midtown, and The Lever House and the Seagram Building were very inspiring to me. The Arango house in Acapulco by John Lautner is another favorite of mine—it’s pure architecture. I’m inspired by buildings that were made for more than function, where the approach comes from a place of creating sculpture that is habitable.

Where else do you find inspiration?

Art, architecture, and fashion are given—and I find inspiration from dialogue and conversation, from connecting with people, and from observing how people respond to spaces and interact with them. I also take inspiration from my clients—having casual conversations with them sparks ideas. There’s an energy in simple interaction that drives me to concepts that translate into an actual spaces. 

What are your three favorite objects?

A roll of white trace, an iPhone—and a cool paperweight sculpture and clip my four-year-old daughter Lianna made me for Father’s Day. I keep it on my desk at work.

Do you collect If so, what do you collect (furniture, records, t-shirts, etc.)?

I have some vintage prints, and I like to collect vintage books on architecture. I also have a collection of old cameras and 16mm film projectors that originally belonged to my dad—I add to the collection whenever I can. I love the functionality components of old film— the inner workings aren’t hidden away in a box like cameras we have today. You can see the nuts and bolts, and they’re very mechanical—as objects, they’re honest and authentic. I also have a 1963 Vespa—I only have one right now but I’d like to collect them.

Who are some of your favorite young designers?

All the designers in my studio are my favorite young designers. They all bring an energy and an aesthetic to our team, and that’s what we cultivate in our studio. There are also a lot of graphic artists I’ve worked with that I’m inspired by, too. I like working with artists who use technology to create visual experiences, and I gravitate toward people who challenge how we define art. 

If you could live anywhere, where it would it be (a location or specific structure)?

I can’t live anywhere but New York—it’s my home. I grew up here and I love seeing it evolve and change. I love Miami too, but I can’t be anywhere else for too long—I’m always drawn back to New York. As for a specific structure . . . a cool treehouse in Madison Square Park inspired by John Lautner’s Chemosphere House would be nice. I have three kids; I think they’d love it.

A decade from now, what trends will be cringeworthy?

Not sure, but I hope it’s not the iPhone. Remember the Sony Walkman? Technology is a field that evolves so quickly that I think we’re always going to look back and laugh at what we once thought was the greatest thing ever.

What current trends will stand the test of time?

A trend that’s going to stand the test of time has to be able to grow and evolve while keep its essence. I think technology and social media interaction is something that we will always have but will evolve in its own interesting way.

What are you reading?

Right now I’m reading a list of these interview questions on my computer screen.

These days I’m reading Italian Uniqueness, by Enrico Morteo. It’s a book on Italian industrial design and production from the early 1960s onward. I’m interested in the idea that a country/a culture can create a national identity via the making/production of product taking into account usefulness and design.My favorite quote so far: “An artist’s dream is in any case to find a place in a museum, while the designer’s dream is to find a place in the local market”—Bruno Murari.

What are you wearing?

My white Converse, jeans and a white t-shirt. I dress casually in the office unless we are meeting a client, then I usually wear a dress shirt and sports jacket.

What are you eating?

Grilled mahi mahi and jasmine rice from Num Pang across the street from our office. 

Do you listen to music while you're working?

Yeah, sometimes. Sinatra to Tiestro—I cover the spectrum. I used to listen to music more while I worked, but I don’t zone out too much anymore, because I’m the principal of my firm. I’m more active in the studio and involved in what everyone’s working on.

Are you a sketcher or a computer person?

Hybrid. I was always a sketcher, and I come from the school of sketching, but the computer is great for developing concepts.

Social media—yes or no?

Yes, but keeping up with it is a challenge - it’s always changing. 

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