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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

FORM Event Images

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Hidden
« Showroom: Ghost World | Main | WEB EXTRA: Restaurant Design: A Chat with ICRAVE's Greg Merkel »
Wednesday
Feb052014

Workbook: To the Manor Born

For the nightclub Hooray Henry's, architect John Sofio, of Built, created a space reminiscent of an English house. Image courtesy Elizabeth Daniels Photography.What do Prince George and a West Hollywood nightclub have in common? Plenty, it turns out. When h.wood.group wanted to refresh a location on Beverly Boulevard, the firm teamed again with architect John Sofio, of Built. It was right around the time of the royal baby’s birth and British style seemed to be in the air. “We wanted to do something that had that mod feeling, to transport you to another time and place,” says Sofio. In refining the concept, he hit on the idea of an English manor being overtaken for a wild night and Hooray Henry's was born.

To conjure a the atmosphere of a stately home, and, in a departure from most nightclub design and in a 180 from the space’s previous look, Sofio went for a sense of warmth. The foyer is lined with vintage photos—“It’s a time portal, you step into,” he says—and the roof slopes down. “It hugs you a bit and then opens to a living room.” Display cabinets around the bar feature more photographs and objects that suggest a life lived,” he notes, and a trophies fill a small niche (actually won by Sofio’s wife’s grandfather, a British cycling champion).

Telegraphing British-ness, Sofio opted for subtly rather than overt Union Jack–type imagery. Lasers are in red and blue, deployed as the energy of the night builds, and the bathroom hallways are covered in a black-and-white design that immediately suggests Abbey Road’s album cover.  References to English cars also appear: Sofio used automotive paint in an exact match of Jaguar’s iconic blue. For the banquettes, he based their design on the seats in Rolls-Royce’s Silver Shadow, they’re backed in Kevlar, though, to stand up to the high heels of revelers. It all adds up to an unexpectedly intimate and unique experience. Says Sofio, “You don’t see this kind of detailing in nightclubs.” 

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