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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

FORM Event Images

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« Workbook: Seeing Clearly in San Francisco | Main | Outdoor Living: Seeking Shelter »
Monday
Apr142014

The FORM Questionnaire: Talking to House Fifty Two's Erin Adams

Erin Adams Merge Collection, designed in collaboration with her husband, Mike Corney, capture her well-crafted, contemporary aesthetic. Her new venture is House Fifty Two, a curated lifestyle brand. Image courtesy Erin Adams. A ceramist by training, Erin Adams' design career has spanned three decades. She has created work for Ann Sacks and New Ravenna to name just a few of the firms that have worked with her, not to mention received and been nominated multiple awards. Her newest venture is a curated lifestyle brand, House Fifty Two, where she's bringing the work of talented artists and designers together. The pieces range from housewares to tile, wallpaper and furnishings. With such a tremendous design résumé, we wanted to get her take on the state of the profession. We're delighted to share her thoughts on her inspiration and her favorites—and she reveals her fascination with fake food. 

What direction do you see the profession heading?
More color, more handmade and more organic!

What buildings/spaces inspire you?
Uncluttered, Modernist spaces with clean lines. Open, inside and outside living! 

What are your three favorite objects?
Any work by my husband, Mike Corney, who is a ceramic artist with such clever, off the wall ideas. My collection of fake food, which includes my crocheted hamburger. And my “jump from paper” backpack. 

Who are some of your favorite young architects/designers?
I scout Etsy for general trends and to see what young crafts kids are creating. I generally research older designers and cultural, worldly trends more than specific designers.

If you could live anywhere, where it would it be (a location or specific structure)?
I would live in my suitcase traveling the world, visiting third world factories, but always come home to my Modernist house in Leucadia, California, with a plot of land and my husband’s chickens.

A decade from now, what trends will be cringeworthy?
Oak, and Tuscan grande homes. McMansions. Cheap glass mosaics that are cluttered and not well crafted. 

Courtesy Erin Adams.

What currents trends will stand the test of time?
Anything born from the heart and not copied from another. Objects and design that are simple yet well crafted.

Color—yes or no?
Absolutely, but as with everything, in moderation!

Do you collect? If so, what and why?
I used to more than I do now. I live more simplly and less cluttered. I would much rather be creating than consuming. If I was going to collect anything, it would be more fake food.

What are you reading?
I read a lot of spiritual books and listen to a lot of podcasts on creativity and truth seeking.

What are you wearing?
I wear clothes that can look cool when out, but can also stand to get trashed at the studio. Probably five days out of the week, I am in my jeans and my favorite Rag & Bone jean shirt. I dress for comfort. I also always wear a take on men’s oxford shoes. I have about six pair all in different colors.  

What are you eating?
Yogurt in the AM, almond butter and rice cakes at the studio for lunch, a hit of dark chocolate in the afternoon and something grilled at night, and always a bottle of hot sauce by my side. Also, my kids and I are ramen, udon and Pho addicts, always searching for the best Asian soup in town.

Do you listen to music while you're working?
Most of the time. YES! 

Are you a sketcher or a computer person?
I am a computer person more than a sketcher, but ideas get stuck in my head until I am able to get them out. I am an ideas person, big picture thinking. Once they materialize, I am done with it and on to the next. I have lately realized I am an ATM of ideas. A constant flow runs through my head at all times. 

Social media—yes or no?
I wish more, but I would rather just create and have other people take care of the distribution, marketing and outreach. I am more likely to go to my computer and research inspiration than reach out to find followers. I believe if I put it out there, they will come.

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