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Events

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Japanese Design Today 100
June 27–July 19, 2014
The Japan Foundation presents the World premiere of the exhibition Japanese Design Today 100, which opens at UCLA’s Department of Architecture & Urban Design at Perloff Hall. This exhibition showcases the Designscape of contemporary Japan through 100 objects of Japanese design: 89 objects created since 2010 that are well known in Japan, as well as 11 objects that represent the origin of Japanese post-war modern product design. These 100 product designs are displayed in 10 categories: Classic Japanese Design, Furniture & Housewares, Tableware & Cookware, Apparel & Accessories, Children, Stationery, Hobbies, Healthcare, Disaster Relief, and Transportation.

BAM/PFA New Building Topping Out Celebration
July 17, 2014
Construction is nearing midpoint at the downtown Berkeley site of the future home of the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA). Workers will soon be erecting the last of the steel beams that form the frame of this dynamic building. To celebrate this important milestone, BAM/PFA invites its Bay Area friends and neighbors to a “topping out” ceremony on Addison Street, between Shattuck Avenue and Oxford Street.

39th Annual American Craft Council San Francisco Show
August 8–10, 2014

The American Craft Council returns to San Francisco for its 39th Annual American Craft Council San Francisco Show this August 8-10, 2014 at Fort Mason Center. As the largest juried fine craft show on the West Coast, the 2014 San Francisco Show is expected to draw more than 12,000 fine craft collectors and design enthusiasts.

Conversations in Place 2014
August 10, 2014
ow in its third year, Conversations in Place 2014 begins another series of illuminating explorations of “Southern California – Yesterday and Tomorrow” at the historic Rancho Los Alamitos. The 4-part series begins Sunday, August 10 and continues through Sunday, November 2. The series begins with W. Richard West, Jr, President and CEO of The Autry National Center of the American West, Milford Wayne Donaldson, FAIA, chairman of the United States Advisory Council on Historic Preservation, and Pamela Seager, Executive Director of Rancho Los Alamitos, and Architect Stephen Farneth, FAIA, founding partner of the award-winning historic preservation firm Architectural Resources Group, in conversation about the place of museums and historic sites in shaping the story of Southern California. Can these institutions escape the straightjacket of the time to better interpret history to the 21st century?

NOW AND NEXT 2014 Symposium on Technology for Design and Construction
August 13–15, 2014
Meet thought leaders and colleagues interested in architecture, engineering, construction, open BIM Exchange, software trends and more. Learn about the innovations that are moving companies and people forward
including: where and how design and delivery is shifting; which software applications are transformative; best practices for collaborative project delivery; how to engage with the global BIM community. Connect with and hear from the best and the brightest such as Jordan Brandt, AutoDesk; Deke Smith, buildingSMART alliance; Ray Topping, Fiatech; Bill East, Prairie  Sky Consulting (formerly of the US Army Corps of Engineers).

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few. 

 

Competitions

Deadline: August 18
Fabric
Formabilio


Deadline: September 2
Hansgrohe+Axor Das Design Competition
Hansgrohe+Axor


Deadline: September 5

2014 Designer Dream Bath Competition
Duravit

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

FORM Event Images

Industry Partners

  

  




















 

Hidden
« SHOWROOM: New Wallcoverings from Trove | Main | WEB EXTRA: SHOWROOM: Work in Progress »
Tuesday
Jun102014

Workbook: A Different Vision 

Reclaimed wood serves as the unifying feature across the three floors of Stripes Group's new Manhattan offices, designed by ICRAVE. Photography by John Muggenborg © 2013/courtesy ICRAVE. “If you’re not happy kicking around ideas with your friends at seven pm, this isn’t the place for you,” is refrain heard often around the offices at ICRAVE, a Manhattan design firm known for its hospitality work. As with most creative firms, the company’s offices emphasize collaboration and cooperation with an open plan to facilitate the free flow of ideas. Recently, Ken Fox, the managing partner of Stripes Group, a private equity firm in New York, asked ICRAVE to bring some of that spirit into their new Manhattan offices.

“Most of these firms are in Midtown or Downtown,” says project manager Mitchell Streichhirsch. “They’re in high rises with a central elevator core. You see the same office over and over.” In contrast, the new Stripes Group office was slated for space in the Meatpacking District, much removed from the city’s traditional financial hubs. It was also slated to occupy three floors of a newly-constructed building.

The spaces' design balances high design with the needs of a financial industry firm. Photography by John Muggenborg © 2013/courtesy ICRAVE.
For the space, “we took the different programs that go into the work day and broke them up into unique areas,” says Streichhirsch. In practical terms, it meant assigning each floor a particular function. The third houses the bullpen area—“a youthful and energeticspace. It follows an open plan where the younger members of the staff are within eye- and earshot of one another, so ideas can be tossed around thick and fast. The designers hung custom bikes on the walls, and the carpet tiles have a bold, dynamic pattern. Acoustical panels hang from aircraft cables and tubular lights run in the channels between.

One floor above are spaces geared toward visitors. There’s a reception desk, two conference rooms and smaller meeting spaces. Though the team took many of their cues from spaces geared to more creative pursuits, “there had to be some semblance of seriousness,” says Streichhirsch, but he and the team tweaked it. “We left the concrete floor exposed and polished it,” he explains. “It creates a feeling of raw space and lent some history of the neighborhood to it.” Work by Leroy Granisand and Hans Van Der Meer hangs throughout, and the furnishings mix contemporary pieces with a few midcentury modern notes to play off the more industrial elements.

Space for the executive contingent fills the fifth floor, which features a dramatic installation of tubular fluorescent lights, one of the first in North America to include the product. They can be seen from the street below and create an effect that signals something “is happening there,” says Streichhirsch. Reclaimed wood from old city water towers defines the space, as it does on the other floors, providing a unifying element.

“Ken was very trusting,” says Streichhirsch. “He created a different breed of private equity firm and wanted you to know when you walk into Stripes Group, it wasn't another private equity firm. “They’re forward-thinking, youthful, risk takers, and he the design of the space expresses that.”

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