Faster, greener and more cost-effective building? Under the best of circumstances, you may wind up with two out of the three. To combine all three? You might as well be asking for a unicorn. Prescient, a software and structural system manufacturing company, is out to change that.
Five years ago, the powers that be at HGA started searching for a new space for their LA office. The old set-up was in a Century City high rise. “It had a bullpen in the middle and the shareholders were at the windows,” recalls Satoshi Teshima, an associate vice president in the LA branch. “It was a typical corporate set-up. We wanted to get away from that.”
The words “New Orleans” conjure up some specific flavors, sights and sounds: gumbo, po’boys, jazz, shotgun houses. At the moment, a visionary arts organization, New Orleans Airlift, is working to bring together the worlds of music, architecture and art in a new and creative way. Dubbed Dithyrambalina, the undertaking, the brainchild of artists Swoon, Delaney Martin, Taylor Lee Shepherd and Jay Pennington, is engaging fellow artists, musicians and inventors to create a village of musical, playable houses.
Are you a West Coast specifier of commercial, architectural and high design lighting products? Are you planning on coming out to the LA Convention Center tomorrow and Wednesday for LightShow West? You should be. Now in its tenth year, the show is the only one of its kind geared to professionals on the West Coast.
For many, designing high rises, museums and hotels would be creative outlet enough. Not so for Dan Janotta, a principal and senior designer at Johnson Fain. In the late 1980s and into the 1990s, he began designing furniture, even opening a studio while still working full time at the firm. “It was an independent, creative extension of what I did at work,” he says. After the birth of his son, “something had to give,” he recalls, and he put his furniture work on the backburner.