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Events

AIA Convention 2013
June 20–22, 2013
Head to Denver for The American Institute of Architects annual convention. Speakers include Gen. Colin R. Powell.

Dwell on Design 
June 21–23, 2013 
America's largest Modern design event comes to the LA Convention Center for a weekend of exhibits, panels and more. 

The London Art Book Fair
September 13-15, 2013
UK’s largest event dedicated to art, design and photography publications, including everything from big new releases to one-off artists’ books, prints and zines from around the world.

Monterey Design Conference 
September 27–29, 2013 
Kengo Kuma, Hon. FAIA, of Japan, Marcio Kogan, Hon. FAIA, of Brazil, and Odile Decq, of France, join an outstanding group of North American designers for one of the premier retreats for architects.

westedge 
October 3–6, 2013 
The inaugural design event, to be held at Santa Monica's Barker Hangar, will feature over 200 exhibitors along with expert panels and speakers. 

AIAS Forum 2012
December 29, 2013 
The annual meeting of the American Institute of Architecture Students and the global gathering of the architecture and design students.

 

Competitions 

Deadline: June 28, 2013
Think/Work: Wing Global Student Design Competition
IFI 

Deadline: July 15, 2013
Changing the Face 2013 International Competition
DuPont 

Deadline: July 29
World Design Impact Prize 2013–2014 
ICSID 

Deadline: October 1
IDP Design Competition 
AIASFV 

Deadline: December 31
FORM Event Images

Industry Partners

  

  




















 

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Monday
Apr082013

Showroom: Global Lighting Brings Jacco Maris's Lighting Designs to the US

Jacco Maris's lighting designs, now available in the US and Canada from Global Lighting, include the Montone hanging fixture. Image courtesy Global Lighting.

For close to 20 years, Jacco Maris has been cooking up inventive, lovely lighting. Fortunately, you don't have to travel all the way to Europe anymore to find his wonderful pieces. Global Lighting recently began offering Maris’s light fixtures in showrooms around United States and Canada.

Click to read more ...

Thursday
Apr042013

The FORM 15: Matt Gagnon

 

Matt Gagnon's Knit Fort made with strips of wood knit together with rubber cord. Image Mark Iantosca/Matt Gagnon Studio.As part of our on-going series of conversations with architects about the state of the profession, their inspiration and other pressing questions, today we get the perspective of Matt Gagnon. A product of Cornell University, Gagnon worked for Frank Gehry and Gaetano Pesce before launching his own studio in 2002. Since then, he has taken on a variety of projects, with clients ranging from W Resorts to the Los Angeles Fire Department.

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Wednesday
Apr032013

Design and Planning: 8500 Burton Way

Caruso Affiliated's new project, 8500 Burton Way, in Los Angeles. Photograph courtesy Caruso Affiliated.Our March/April issue explores urban design. With that in mind, we’ll be dedicating several posts over the next few weeks to the topic. Up first is an exclusive look at the new 8500 Burton Way property developed by Caruso Affiliated.

If you’ve driven around Los Angeles over the past couple of decades, chances are your travels have taken you past a plot of land plopped down inside a vast urban intersection, where Burton Way, San Vicente and La Cienega meet. Over the years, the site has been home to all manner of businesses. For over 20 years, it has also been owned by Rick Caruso, the visionary developer of the Grove in Los Angeles and the Americana in Glendale and a host of other properties.

“It was a unique piece of property bordered by city streets on all sides—an urban island—and lent itself to doing something that was iconic,” says David W. Williams, Caruso Affiliated’s Executive Vice President, Architecture, and one of the driving forces behind the distinctive style found across the company’s projects. From the get-go, the Caruso team envisioned a mixed-use project that would include a Trader Joe’s market. An early take would have featured the store as a standalone, but, Williams notes, “It didn’t seem right for the community and didn’t seem to do the site justice.”

The decision was made to rethink the property to incorporate a residential component. This wouldn’t be just any residential building, however. The Caruso team wanted to steer away from the design and layout of the properties (five stories, small windows, stucco facades) being built in the area around that time to create something more aesthetically compelling and luxurious. For the project, Caruso Affiliated tapped MVE & Partners to design the building. There would be floor-to-ceiling windows, a rooftop pool, mature landscaping, high-quality finishes in the units, and original artwork, to name just a few elements.

Well into the design process—well into even the construction process—the Caruso team re-envisioned the building’s aesthetics. As Williams recalls, “We had the foundations poured when we decided the architecture was not the statement we wanted to make, so we gave Hetzel Design the assignment to re-skin building.” Inside, the layout would remain the same, but the exterior, which originally featured Italianate elements similar to other Caruso projects, would be rethought in more modern terms. “We prepped them with what was on our mind and related it to Hollywood, if we were pitching this building. Mad Men meets Entourage. Hip, contemporary but timeless. They came back with 10 schemes.”

The completed building is not blocky, nor closed-off from its surroundings. Instead, the graceful, curving structure with its unique shape (dictated by the lot’s unusual dimensions) stands eight stories, with a smooth concrete and stone facade. An oculus pieces the roof and allows sun to pour in, drenching the pool area and 87 residential units with light and warmth. Inside the apartments, views stretch from downtown, toward the Hollywood Hills and west on to the Pacific. “We pushed this to be iconic,” explains Williams. “New York has the Flatiron Building. We have a corner akin to that. Hopefully, this corner has an iconic, organic LA feel and feels like its rooted here.”

It’s well on its way. Since the property officially opened late last year, Williams says 8500 Burton Way has already become part of the neighborhood fabric. “The landscaping around the building brings a softness and lushness to that block and to that neighborhood. There are more pedestrians on the street—and the sidewalk café, where you can get a glass of wine or a snack in the evening didn’t before.”

Ultimately Williams and his Caruso Affiliated colleagues see the property as the beginning of a new chapter for the area. “We’re at the intersection of Beverly Hills and Los Angeles,” he says. “This can set the stage for the quality of development in both communities.”

 

Tuesday
Apr022013

Conversation: Talking with Elias Redstone, of Archizines

The exhibition in Osaka. design museum de sign de > (Osaka) Photography: Kenta Hasegawa.

Around the world, there is a thriving culture of architectural publishing. Ranging from architectural magazines to fanzines and journals, they’re written and edited by architects, artists and students. Inspired by their breadth, depth and insight, Elias Redstone has showcased dozens of these titles on his Archizines Web site. The project has expanded to include a touring exhibition, which will next stop at UCLA A.UD—opening on April 12 at the school’s Perloff Hall.

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Monday
Apr012013

Exhibitions: Exploring the Future at London's Design Museum

A centerpiece of an upcoming exhibition at London's Design Museum is a crowd-sourced piece of furniture. It's an idea that Made.com has pioneered in the last several years. Image courtesy Design Museum.

This is one of those times when we can’t even begin to fathom the changes happening around us. It’s particularly true for design, and an upcoming exhibition at London’s Design Museum seeks to explore its future in a new and provocative way. In conjunction with the pioneering furniture retailer Made.com, the museum’s show The Future is Here: A New Industrial Revolution will explore the potential for democratizing the design process via new means of production. One of the key components of the exhibition will be a publicly commissioned piece of furniture that will be market-ready when the show opens on July 24. Starting April 8, people will have a chance to vote on the shortlist of designs that were submitted last month in response to the show’s brief. We recently spoke to curator Alex Newsom about the show, its genesis and the implications for the future of design.

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