Santiago Calatrava Interview on New York City Ballet - Audio Series, #6

So they are like giant, useful prototypes for new structures.
 
When Santiago Calatrava was invited to collaborate with the New York City Ballet, he
was honored and inspired to further explore his study of movement and the human
body. The resulting stage designs debuted during this summer’s ballet season, aptly
titled: The Architecture of Dance – New Choreography and Music Festival. Publisher
Ann Gray spoke with Mr. Calatrava on collaborating with artists, the expression of
movement, and the ephemeral nature of set design.
Calatrava slideshow

This is sixth in a series of 8 audio clips taken from the interview.
Full interview found in FORM magazine's July/August International Issue - print and digital.

Screening This Wednesday-Visual Acoustics: The Modernism of Julius Shulman-Documentary film by Eric Bricker

The Emerging Professionals Committees of the American Institute of Architects Los Angeles & Long Beach/South Bay along with the Interior Architecture Committee of AIA|LA invite you to attend:

Visual Acoustics: The Modernism of Julius Shulman

A Documentary film by Eric Bricker

Wednesday August 4, 2010 @ Design Within Reach (DWR)
332 Santa Monica Boulevard, Santa Monica, CA 90401
7pm: Mixer + DWR Showroom Tour
8pm: Film Screening

Suggested Donation (to be collected at the door):
$10 AIA members & Students
$15 Non-AIA members

Advance registration required at this link.

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Sunday September 19, 2010 @ The Art Theatre
2025 East 4th Street, Long Beach, CA 90814
11:30am: Film Screening, followed by a Q&A with the Director

Suggested Donation:
$15 General Admission
$7 Students

To purchase tickets, go to this link.
Show your ticket for a discount @ Portfolio Annex on 9/19

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Ticket prices to both the 8/4 Santa Monica & 9/19 Long Beach Screenings include admission to the Restoration Trade Fair on Sunday September 19, 2010 in Long Beach.

Santiago Calatrava Interview on New York City Ballet - Audio Series, #5

Did you find freedom in being able to use materials and technologies that were temporary?
 
When Santiago Calatrava was invited to collaborate with the New York City Ballet, he
was honored and inspired to further explore his study of movement and the human
body. The resulting stage designs debuted during this summer’s ballet season, aptly
titled: The Architecture of Dance – New Choreography and Music Festival. Publisher
Ann Gray spoke with Mr. Calatrava on collaborating with artists, the expression of
movement, and the ephemeral nature of set design.
Calatrava slideshow

This is fifth in a series of 8 audio clips taken from the interview.
Full interview found in FORM magazine's July/August International Issue - print and digital.

Santiago Calatrava Interview on New York City Ballet - Audio Series, #4

Did you find the collaboration with the lighting designer meaningful?

When Santiago Calatrava was invited to collaborate with the New York City Ballet, he
was honored and inspired to further explore his study of movement and the human
body. The resulting stage designs debuted during this summer’s ballet season, aptly
titled: The Architecture of Dance – New Choreography and Music Festival. Publisher
Ann Gray spoke with Mr. Calatrava on collaborating with artists, the expression of
movement, and the ephemeral nature of set design.
Calatrava slideshow

This is fourth in a series of 8 audio clips taken from the interview.
Full interview found in FORM magazine's July/August International Issue - print and digital.

Santiago Calatrava Interview on New York City Ballet - Audio Series, #3

Was there a fear of being too literal about the dance motif?
 
When Santiago Calatrava was invited to collaborate with the New York City Ballet, he
was honored and inspired to further explore his study of movement and the human
body. The resulting stage designs debuted during this summer’s ballet season, aptly
titled: The Architecture of Dance – New Choreography and Music Festival. Publisher
Ann Gray spoke with Mr. Calatrava on collaborating with artists, the expression of
movement, and the ephemeral nature of set design.
Calatrava slideshow

This is third in a series of 8 audio clips taken from the interview.
Full interview found in FORM magazine's July/August International Issue - print and digital.