<?xml version="1.0" encoding="UTF-8"?>
<!--Generated by Squarespace V5 Site Server v5.13.157 (http://www.squarespace.com) on Tue, 21 May 2013 16:00:38 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Monitor</title><subtitle>Monitor</subtitle><id>http://www.formmag.net/monitor/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.formmag.net/monitor/"/><link rel="self" type="application/atom+xml" href="http://www.formmag.net/monitor/atom.xml"/><updated>2013-05-20T15:27:34Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.157 (http://www.squarespace.com)">Squarespace</generator><entry><title>Set Design: Magical Realism at the Broad</title><category term="Dulce Rosa"/><category term="Isabel Allende"/><category term="Jenny Okun"/><category term="Lee Holdridge"/><category term="Michael Webb"/><category term="Photography"/><category term="Plácido Domingo"/><category term="Richard Sparks"/><category term="The Broad Stage"/><category term="opera"/><id>http://www.formmag.net/monitor/2013/5/20/set-design-magical-realism-at-the-broad.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/20/set-design-magical-realism-at-the-broad.html"/><author><name>Michael Webb</name></author><published>2013-05-20T15:13:05Z</published><updated>2013-05-20T15:13:05Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><a href="http://thebroadstage.com/" target="_blank"><img style="width: 500px;" src="http://www.formmag.net/storage/DulceRosaRuins.jpg?__SQUARESPACE_CACHEVERSION=1369063461511" alt="" /></a></span><span class="thumbnail-caption" style="width: 500px;">Jenny Okun's photographs provide the backdrop for a production of Dulce Rosa at the Broad Stage. Image courtesy the Broad Stage.</span></span></p>
<p><strong>By Michael Webb</strong></p>
<p>For visual spectacle it would be hard to top the sets for <em><a title="Dulce Rosa" href="http://thebroadstage.com/Dulce-Rosa" target="_blank">Dulce Rosa</a></em>, a new opera that is receiving its first performances at the Broad Stage in Santa Monica through June 9. In fact, there is only one physical set: A broken arch, some flats and a flight of steps, but these serve as projection screens. As the action moves from back streets to a hacienda, a guerrilla outpost in the jungle, and a family chapel, the scenes shift seamlessly as though we were watching a movie. Most opera productions make do with a single versatile set or resort to heavy lifting during long intermissions. That&rsquo;s another kind of spectacle&mdash;prominently featured in the Met Live productions&mdash;as troupes of stage hands roll one vast construction into the wings to replace it with another.</p>]]></summary></entry><entry><title>Book Review: From Art to Architecture</title><category term="Books"/><category term="Books"/><category term="Edward Dimendberg"/><category term="Michael Webb"/><category term="architecture"/><category term="diller scofidio + renfro"/><id>http://www.formmag.net/monitor/2013/5/16/book-review-from-art-to-architecture.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/16/book-review-from-art-to-architecture.html"/><author><name>Michael Webb</name></author><published>2013-05-16T17:03:00Z</published><updated>2013-05-16T17:03:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><a href="http://press.uchicago.edu/ucp/books/book/chicago/D/bo5941113.html" target="_blank"><img src="http://www.formmag.net/storage/Book%20Jacket.jpg?__SQUARESPACE_CACHEVERSION=1368660416141" alt="" /></a></span></span>By Michael Webb</strong></p>
<p><em><a title="UC PRess" href="http://press.uchicago.edu/ucp/books/book/chicago/D/bo5941113.html" target="_blank">Diller Scofidio + Renfro: Architecture After Images</a></em>. Edward Dimendberg. (The University of Chicago Press, $65).</p>
<p>A timely and penetrating study of a firm that has surged to prominence on the strength of two headline projects in New York: its imaginative transformation of Lincoln Center and the High Line (in association with Field Operations). In both, the architects were highly respectful of existing structures and that augers well for an even greater challenge: extending the Museum of Modern Art without destroying the American Museum of Folk Art. MoMA outraged the architectural establishment by threatening to demolish its next-door neighbor. It will require all of DS+R&rsquo;s skill to integrate Tod Williams &amp; Billie Tsien&rsquo;s unique building into the new structure, and convince an overbearing institution to reconsider its threatened act of vandalism.</p>]]></summary></entry><entry><title>Showroom: The New Horizontal Shower from Dornbracht</title><category term="Dornbracht"/><category term="Pat Jarvis"/><category term="Santa Monica"/><category term="Showroom"/><category term="Snyder Diamond"/><category term="bathroom"/><category term="shower"/><id>http://www.formmag.net/monitor/2013/5/15/showroom-the-new-horizontal-shower-from-dornbracht.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/15/showroom-the-new-horizontal-shower-from-dornbracht.html"/><author><name>Lisa Bingham</name></author><published>2013-05-15T20:34:25Z</published><updated>2013-05-15T20:34:25Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><a href="http://www.dornbracht.com/" target="_blank"><img src="http://www.formmag.net/storage/01_HorizontalShower2.jpg?__SQUARESPACE_CACHEVERSION=1368650207630" alt="" /></a></span><span class="thumbnail-caption" style="width: 500px;">Dornbracht's new Horizontal Shower debuts at Snyder Diamond in Santa Monica next week. Image courtesy Dornbracht.</span></span>At <a title="Dornbracht" href="http://www.dornbracht.com/" target="_blank">Dornbracht</a>, they think a lot about water&mdash;in both practical and philosophical terms. One of the most recent outgrowths of their singular fascination is the company&rsquo;s new Horizontal Shower, which blends cutting edge technology with an emphasis on physical wellbeing. As Pat Jarvis, Dornbracht&rsquo;s Vice President of Sales &amp; Marketing for North America, puts it, &ldquo;We wanted to do something with water that hadn&rsquo;t been before.&rdquo;</p>]]></summary></entry><entry><title>Update: Checking in on Alta Verde Escena</title><category term="Alta Verde Escena"/><category term="Alta Verde Group"/><category term="Andrew Adler"/><category term="Architecture"/><category term="Development"/><category term="Palm Springs"/><category term="Poon Design"/><id>http://www.formmag.net/monitor/2013/5/14/update-checking-in-on-alta-verde-escena.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/14/update-checking-in-on-alta-verde-escena.html"/><author><name>Lisa Bingham</name></author><published>2013-05-14T20:52:05Z</published><updated>2013-05-14T20:52:05Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><a href="http://www.poondesign.com/" target="_blank"><img src="http://www.formmag.net/storage/L3 Front Dusk-Med.jpg?__SQUARESPACE_CACHEVERSION=1368564980491" alt="" /></a></span><span class="thumbnail-caption" style="width: 500px;">Poon Design and Alta Verde Group collaborated on a Palm Springs development that brings high-end Modernism within reach. Image courtesy Poon Design. </span></span>Architecturally speaking, your typical tract home, or &ldquo;production house,&rdquo; to use a slightly more PC moniker, has more to do with your average Taco Bell than with the elegant California Modernism of A. Quincy Jones, Albert Frey and the like. A few years ago, Andrew Adler, of the residential developer <a title="Alta Verde Group" href="http://www.altaverdegroup.com/" target="_blank">Alta Verde Group</a>, teamed with <a href="http://www.poondesign.com/">Poon Design</a>&rsquo;s Anthony Poon and John Kim to change that&mdash;as Lisa Kraeage reported in FORM&rsquo;s July/August 2011 issue&mdash;creating a development of production homes in Palm Springs, <a title="Escena" href="http://altaverdeescena.com/escena.php" target="_blank">Alta Verde Escena</a>, that mix affordability with Modernism.</p>]]></summary></entry><entry><title>The Rebranding of Urban Transit: A "TOD Summit" Lets Architects Rethink Rail</title><category term="Altoon Partners"/><category term="Jack Skelley"/><category term="James C. Auld"/><category term="Los Angeles"/><category term="TOD"/><category term="ULI-LA"/><category term="Urban Design"/><id>http://www.formmag.net/monitor/2013/5/13/the-rebranding-of-urban-transit-a-tod-summit-lets-architects.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/13/the-rebranding-of-urban-transit-a-tod-summit-lets-architects.html"/><author><name>Jack Skelley</name></author><published>2013-05-13T18:22:03Z</published><updated>2013-05-13T18:22:03Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong>By Jack Skelley</strong></p>
<p>Architects and urban planners agree: TODs&mdash;or Transit Oriented Developments&mdash;are the future of our cities. As land on the urban fringes is consumed by sprawl, creating hideous commutes and sour economies, a crucial solution is to bring transportation close to jobs and housing. What is also dawning on these experts, however, is that the TOD solution is not the most people-friendly concept. Fairly or not, it tends to connote noisy trains and cramped living.</p>
<p>James C. Auld<strong>, </strong>AIA, a partner with <a href="http://www.altoonpartners.com/"><span>Altoon Partners LLP</span></a>, is an architect leading the rethinking of TODs. He co-chairs the annual TOD Summit produced by <a href="http://la.uli.org/"><span>ULI Los Angeles</span></a>. (This year&rsquo;s TOD summit is Thursday, June 6, at Metro Headquarters in downtown Los Angeles. <a href="http://la.uli.org/event/tod-summit-2013/">Register here</a>.) He describes how the TOD solution is evolving into &ldquo;great places to live and play.&rdquo;</p>]]></summary></entry><entry><title>The FORM Questionnaire: A Conversation with Brooks Atwood</title><category term="Brooks Atwood"/><category term="Design"/><category term="NJIT"/><category term="POD Design"/><category term="Product Design"/><category term="Q and A"/><category term="Sylki Chair"/><category term="interviews"/><id>http://www.formmag.net/monitor/2013/5/9/the-form-questionnaire-a-conversation-with-brooks-atwood.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/9/the-form-questionnaire-a-conversation-with-brooks-atwood.html"/><author><name>Lisa Bingham</name></author><published>2013-05-09T16:34:50Z</published><updated>2013-05-09T16:34:50Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><em><span class="full-image-float-left ssNonEditable"><span><a href="http://pod-arch.com/" target="_blank"><img style="width: 300px;" src="http://www.formmag.net/storage/Brooks_Atwood.jpg?__SQUARESPACE_CACHEVERSION=1368120384011" alt="" /></a></span><span class="thumbnail-caption" style="width: 300px;">The multi-talented, multifaceted Brooks Atwood talks design. Courtesy Brooks Atwood.</span></span>A few weeks back, we introduced you to <a title="Tetra Light FORM" href="http://www.formmag.net/monitor/2013/4/23/showroom-pods-tetra-light-pushes-the-boundaries-of-neon.html" target="_blank">new work</a> from Brooks Atwood, Assistant Professor of Industrial Design at NJIT and principal of <a title="POD Design" href="http://pod-arch.com/" target="_blank">POD Design</a>. Besides focusing on product design, Atwood has collaborated on notable art installations and even has a design for a new prefab house on the boards. Today, as part of our on-going series of conversations with architects and designers on their inspiration, philosophies and favorites, we're talking to him. As you might suspect, his take on his profession is witty, thoughtful and occasionally irreverent&mdash;just like his body of work.&nbsp;</em></p>]]></summary></entry><entry><title>Books: Old Japan Made New</title><category term="Architecture"/><category term="Books"/><category term="Japan"/><category term="Kengo Kuma"/><category term="Kenneth Frampton"/><category term="Michael Webb"/><id>http://www.formmag.net/monitor/2013/5/8/books-old-japan-made-new.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/8/books-old-japan-made-new.html"/><author><name>Michael Webb</name></author><published>2013-05-08T16:25:27Z</published><updated>2013-05-08T16:25:27Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><a href="http://www.thamesandhudson.com/Kengo_Kuma/9780500342831" target="_blank"><img style="width: 200px;" src="http://www.formmag.net/storage/Kengo%20Kuma%209780500342831.jpg?__SQUARESPACE_CACHEVERSION=1368031364032" alt="" /></a></span><span class="thumbnail-caption" style="width: 200px;">A new monograph explores the compelling work of architect Kengo Kuma.</span></span></p>
<p><strong>By Michael Webb</strong></p>
<p><em><a title="Kengo Kuma" href="http://www.thamesandhudson.com/Kengo_Kuma/9780500342831" target="_blank">Kengo Kuma: Complete Works</a></em>.&nbsp; (Thames &amp; Hudson, $65)</p>
<p>In his erudite introduction, Kenneth Frampton calls Kengo Kuma &ldquo;quintessentially Japanese&rdquo; and the 25 projects the architect has selected are deeply rooted in the craft traditions of that country. The title is misleading: Only a quarter of Kuma&rsquo;s buildings are featured, and the large commercial projects in Beijing that have sustained his practice in recent years are omitted. It&rsquo;s a wise choice, for Kuma works best on a modest scale with traditional materials. In his foreword, he writes with feeling of his collaboration with traditional craftsmen in rural Shikoku and in Tohuku, a region ravaged by the earthquake and tsunami of 3/11.&nbsp; &ldquo;The richness and strength of that culture cannot be understood until one has worked with the people who live there&mdash;until one has eaten their food, drunk their sake, talked with the craftsmen and made things with them,&rdquo; he writes.</p>]]></summary></entry><entry><title>Events: New Amid the Old</title><category term="Architecture"/><category term="Denise Scott Brown"/><category term="Events"/><category term="Getty Conservation Institute"/><category term="Juergen Mayer"/><category term="Michael Webb"/><category term="Museums"/><category term="Paul Goldberger"/><category term="Rafael Moneo"/><category term="Richard Rogers"/><category term="Thomas Beeby"/><category term="symposium"/><id>http://www.formmag.net/monitor/2013/5/7/events-new-amid-the-old.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/7/events-new-amid-the-old.html"/><author><name>Michael Webb</name></author><published>2013-05-07T13:23:27Z</published><updated>2013-05-07T13:23:27Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><a href="http://www.getty.edu/conservation/publications_resources/public_programs/minding_gap.html" target="_blank"><img style="width: 200px;" src="http://www.formmag.net/storage/Rogers.jpg?__SQUARESPACE_CACHEVERSION=1368117152735" alt="" /></a></span><span class="thumbnail-caption" style="width: 200px;">An upcoming symposium at the Getty, featuring Richard Rogers, among other leading architects, will explore the role of contemporary architecture in historic urban environments. Image courtesy the Getty Conservation Institute.</span></span>By Michael Webb</strong></p>
<p>On May 21, the Getty Conservation Institute will present a day-long symposium &ldquo;<a title="Minding the Gap" href="http://www.getty.edu/conservation/publications_resources/public_programs/minding_gap.html" target="_blank">Minding the Gap: the Role of Contemporary Architecture in the Historic Environment</a>.&rdquo; It promises to be a lively debate among five architects who have taken radically different approaches: Thomas Beeby, Juergen Mayer, Rafael Moneo, Richard Rogers and Denise Scott Brown.</p>]]></summary></entry><entry><title>Events: Doing the Wright Thing at LCDQ</title><category term="AIA Los Angeles"/><category term="Design"/><category term="Events"/><category term="Franco Vecchio"/><category term="Jeffrey Herr"/><category term="LCDQ"/><category term="Legends of La Cienega"/><category term="Nicci Solomons"/><category term="SOLI Architectural Surfaces"/><category term="Steven Ehrlich"/><id>http://www.formmag.net/monitor/2013/5/6/events-doing-the-wright-thing-at-lcdq.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/6/events-doing-the-wright-thing-at-lcdq.html"/><author><name>Lisa Bingham</name></author><published>2013-05-06T20:43:37Z</published><updated>2013-05-06T20:43:37Z</updated></entry><entry><title>Events: A Great Night at NEXT by Daltile</title><category term="Daltile"/><category term="Events"/><category term="Los Angeles"/><category term="NEXT by Daltile"/><category term="Showroom"/><category term="flooring"/><category term="trends"/><id>http://www.formmag.net/monitor/2013/5/5/events-a-great-night-at-next-by-daltile.html</id><link rel="alternate" type="text/html" href="http://www.formmag.net/monitor/2013/5/5/events-a-great-night-at-next-by-daltile.html"/><author><name>Lisa Bingham</name></author><published>2013-05-05T17:38:39Z</published><updated>2013-05-05T17:38:39Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p>A few weeks back <a title="Daltile" href="http://www.daltile.com/" target="_blank">Daltile</a> hosted NEXT at loftSEVEN&mdash;a stunning space in the historic Hass Building in Downtown Los Angeles. The event offered guests a great chance to mix and mingle and sample great food and drinks. Most importantly, it offered a sneak peek into what's new and next in the world of flooring. &nbsp;</p>
<p>We're delighted to share with you some photos from the event!</p>]]></summary></entry></feed>