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The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

Provocations: The Architecture and Design of Heatherwick Studio
February 20–May 24, 2015
This February, the Hammer Museum will present the West Coast debut of Provocations: The Architecture and Design of Heatherwick Studio, featuring the imaginative work of British designer Thomas Heatherwick and his London-based studio. Heatherwick is known for his unique design concepts ranging from products, such as a handbag for Longchamp, to large-scale structures like the new distillery for Bombay Sapphire Gin.

 

 

Competitions

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Entries in architecture (80)

Monday
Jun032013

The FORM Questionnaire: A Conversation with Nathan Lee Colkitt

Architect Nathan Lee Colkitt talks with us about new paradigms and more. Courtesy Nathan Lee Colkitt.A couple of weeks back, we introduced you to architect Nathan Lee Colkitt and his work on the PUMA store in New York's SoHo district. Besides his work for PUMA, Colkitt, who founded his own practice in 2006, has made a name for himself designng retail, restaurant and residential projects. He's back here at formmag.net—this time with answers to some of our burning questions. And he's got one for you: Where do you go for barbecue?

What direction do you see the profession heading?

I try not to think about design or architecture as a profession. The term “profession” seems too dogmatic for how fast society, information and the economy are rapidly changing today. Professions are a dated paradigm from the 20th century. The question is: who are the individuals and groups creating and shaping the foundation of this century? Never before has information and communication been so powerful and ubiquitous, and yet simultaneously so meaningless. We see a world based on a paradigm of mass localization. A concept of local contextualization not based on geography, but by social networks and relationships. Overall, I see innovation that impacts lives as the core of our business model and the direction of the future. 

What buildings inspire you?

The Seattle Public Library, Kimbell Art Museum, and the Cartier Foundation in Paris are great examples of buildings that are socially and contextually relevant. Personally, I think these buildings function on so many levels that it makes me want to cry with joy! How can these places shine and be deferential, all in one fell swoop? To me this is the highest calling; to be a distinguished icon with grace and deference to what is all around.

Where else do you find inspiration?

I used to look outward at philosophy, critical theor, and theoretical science for inspiration. Now I look inward, even to the most mundane, pedestrian and primal entities and callings in life. I like to ask, “How even did you come into being?” or “What manifested you?” as the answer often lies within these items.

What are your three favorite objects?

The chair, the chair and the chair. The moment between reclination and supplication. Designers will never stop trying to put their signature on this moment. 

What do you collect (furniture, records, t-shirts, etc.)? 

I stopped collecting so that I can better live in the ever-present. Now, I’m completely schizophrenic and don’t have to worry about being sentimental. I used to collect chairs and vinyl. I had an audiophile with Eames coming out my ears but, it’s debilitating for a designer to collect things. You can never be truly present if you’re a collector. It’s not possible to be a collector and designer in the same body, unless you have a split personality. 

Who are some of your favorite young architects?

Joshua Prince-Ramus and Bjarke Ingels. Is that like saying I listen to Justin Timberlake?  

If you could live anywhere, where it would it be (a location or specific structure)?

To follow in the footsteps of Brendon Grimshaw.

A decade from now, what trends will be cringeworthy?

That’s easy . . . reclaimed wood.

What currents trends will stand the test of time?

Isn’t that an oxymoron? Like military intelligence? We think sustainability is not a trend in the sense that energy has always ruled our lives. As we go through an energy transition, how we consume as a culture has an effect on design. This awareness cannot be forgotten. 

10. Color—yes or no?

No question; color is our lifeblood. Without color I would not have a pulse. 

11. What are you reading?

Maurice Blanchot, The Infinite Conversation. I also enjoy to travel and love picking up local periodicals to see where real people eat, drink and play.

12. What are you wearing?

Common Projects. The best thing since sliced bread.

13. What are you eating?

I love beef rib BBQ. Do you know any good spots in your neighborhood?

14. Do you listen to music while you're working?

I stopped listening to music.  I find it distracting while working. 

15. Are you a sketcher or a computer person?

Sketching is so much more fun and kinetic. It’s hard to imagine the ballet without a pen in hand. 

16. Social media—yes or no?

Yes, but it is addicting, is it not?

Thursday
May302013

Building Your Business: A Conversation with Meg Touborg

A conversation with Meg Touborg kicks off a new series on building and managing your design business. Image courtesy Meg Touborg/Metworks Inc.Your ideas are great. Your projects are spectacular. But, when it comes to the nuts and bolts of running a business—any kind of business—all of us can always use a little guidance. From marketing and public relations to intellectural property and employment law to human resources and finance, maintaining and growing a successful firm means a lot of moving parts. We're pleased to present the first in a series of conversations with experts outside of architecture and design whom we've asked to weigh in with tips, suggestions and ideas on the ingredients that go into a building a thriving practice. Our hope is that each one will get you thinking big and strategically.

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Thursday
May162013

Book Review: From Art to Architecture

By Michael Webb

Diller Scofidio + Renfro: Architecture After Images. Edward Dimendberg. (The University of Chicago Press, $65).

A timely and penetrating study of a firm that has surged to prominence on the strength of two headline projects in New York: its imaginative transformation of Lincoln Center and the High Line (in association with Field Operations). In both, the architects were highly respectful of existing structures and that augers well for an even greater challenge: extending the Museum of Modern Art without destroying the American Museum of Folk Art. MoMA outraged the architectural establishment by threatening to demolish its next-door neighbor. It will require all of DS+R’s skill to integrate Tod Williams & Billie Tsien’s unique building into the new structure, and convince an overbearing institution to reconsider its threatened act of vandalism.

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Thursday
Apr042013

The FORM 15: Matt Gagnon

 

Matt Gagnon's Knit Fort made with strips of wood knit together with rubber cord. Image Mark Iantosca/Matt Gagnon Studio.As part of our on-going series of conversations with architects about the state of the profession, their inspiration and other pressing questions, today we get the perspective of Matt Gagnon. A product of Cornell University, Gagnon worked for Frank Gehry and Gaetano Pesce before launching his own studio in 2002. Since then, he has taken on a variety of projects, with clients ranging from W Resorts to the Los Angeles Fire Department.

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Thursday
Mar142013

The FORM 13: A Conversation with Griz Dwight

Griz Dwight's D.C.–based practice specializes in restaurant and retail projects, including Barbatella. Photo by Amber Fredericksen/Courtesy Grizform Design Architects.

At FORM, we really like to know what makes architects and designers tick. What inspires them, delights them, even what aggravates them. It helps us understand their own work and gives us a better understanding of the current states of the profession. We're pleased to inaugurate a new series on FORMmag.net today—brief conversations with architects and designers, where we take their pulse—and the pulses of their industries. Up first is a q-and-a with Griz Dwight, the principal and owner of Grizform Design Architects, based in Washington, D.C. He gives us plenty to think about.

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