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The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

Provocations: The Architecture and Design of Heatherwick Studio
February 20–May 24, 2015
This February, the Hammer Museum will present the West Coast debut of Provocations: The Architecture and Design of Heatherwick Studio, featuring the imaginative work of British designer Thomas Heatherwick and his London-based studio. Heatherwick is known for his unique design concepts ranging from products, such as a handbag for Longchamp, to large-scale structures like the new distillery for Bombay Sapphire Gin.

 

 

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Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
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Entries in Christopher James Alexander (1)

Thursday
Feb182010

Julius Shulman - Tribute

Masterful in front of an audience, this prodigious talent’s legacy will continue
to draw crowds´╗┐


By Christopher James Alexander

-Curator of Architecture and Design
Getty Research Institute, Los Angeles

The Chuey House designed by Richard Neutra in 1956 and photographerd by Julius Shulman in the same year. Gelatin silver print © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute (2004.R.10)Visitors to Julius Shulman Photography exhibitions tend to be a bit boisterous. They exclaim, sigh, and holler at their friends across the room. They point and excitedly lean into the framed images, inadvertently leaving smeared fingerprints and nose smudges on the protective glass. It’s not their fault. They can’t help themselves. Exploring Shulman’s captivating photos is an interactive experience.

For a curator like me, this lively gallery atmosphere is exhilarating. When the two Shulman exhibitions that Wim de Wit and I curated and organized with our Getty colleagues were on view, I enjoyed some of the most entertaining and enlightening anecdotes, while unabashedly eavesdropping on visitors in the gallery. People would linger in front of Shulman’s historic photographs and marvel at the inventive architecture, elegant fashions, sleek automobiles and bygone neighborhood vistas framed by his lens. Parents asked their young children how they thought it would feel to live in a transparent, steel and glass home or sleep perched atop the city in John Lautner’s futuristic Chemosphere. Groups of women reflected on blissful afternoons spent shopping at the Bullock’s Wilshire department store, in order to find the perfect dress for a special occasion. Couples happily reminisced about seeing Lawrence of Arabia at S. Charles Lee’s spectacular Academy Theater. Through his precise combination of intuitive timing, distinctive camera angles, and alluring, staged narratives, Shulman not only created some of the most famous photographs in architectural history; he developed compelling images that continue to viscerally connect with people on complex levels.

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