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Events

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

Heath Ceramics Annual Sale
November 21–25, 2014
Heath's annual sale at their locations in Los Angeles, San Francisco and Sausalito offer deals on merchandise along with special presentations.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 15
2015 Preservation Awards
Santa Monica Conservancy 

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Entries in Colkitt&Co. (3)

Monday
Jan062014

WEB EXTRA: Workbook: Restaurant Design: Cannonball Makes a Splash in San Diego

Light fixtures inspired by beach balls are one of the many exuberant touches at Cannonball, a rooftop restaurant by the beach in San Diego. Image courtesy Colkitt&Co.

There is something uniquely American about the beach and backyard culture created here. One look at a striped beach ball or a vinyl pool lounger brings back a flood of memories—lazy days spent at the beach or lifeguarding at the neighborhood pool or cooking up a barbeque as the sun set. For Cannonball, in San Diego at historic Belmont Park, architect Nathan Lee Colkitt, of Colkitt & Co., wanted to translate those memories into a lively new rooftop restaurant. 

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Monday
Jun032013

The FORM Questionnaire: A Conversation with Nathan Lee Colkitt

Architect Nathan Lee Colkitt talks with us about new paradigms and more. Courtesy Nathan Lee Colkitt.A couple of weeks back, we introduced you to architect Nathan Lee Colkitt and his work on the PUMA store in New York's SoHo district. Besides his work for PUMA, Colkitt, who founded his own practice in 2006, has made a name for himself designng retail, restaurant and residential projects. He's back here at formmag.net—this time with answers to some of our burning questions. And he's got one for you: Where do you go for barbecue?

What direction do you see the profession heading?

I try not to think about design or architecture as a profession. The term “profession” seems too dogmatic for how fast society, information and the economy are rapidly changing today. Professions are a dated paradigm from the 20th century. The question is: who are the individuals and groups creating and shaping the foundation of this century? Never before has information and communication been so powerful and ubiquitous, and yet simultaneously so meaningless. We see a world based on a paradigm of mass localization. A concept of local contextualization not based on geography, but by social networks and relationships. Overall, I see innovation that impacts lives as the core of our business model and the direction of the future. 

What buildings inspire you?

The Seattle Public Library, Kimbell Art Museum, and the Cartier Foundation in Paris are great examples of buildings that are socially and contextually relevant. Personally, I think these buildings function on so many levels that it makes me want to cry with joy! How can these places shine and be deferential, all in one fell swoop? To me this is the highest calling; to be a distinguished icon with grace and deference to what is all around.

Where else do you find inspiration?

I used to look outward at philosophy, critical theor, and theoretical science for inspiration. Now I look inward, even to the most mundane, pedestrian and primal entities and callings in life. I like to ask, “How even did you come into being?” or “What manifested you?” as the answer often lies within these items.

What are your three favorite objects?

The chair, the chair and the chair. The moment between reclination and supplication. Designers will never stop trying to put their signature on this moment. 

What do you collect (furniture, records, t-shirts, etc.)? 

I stopped collecting so that I can better live in the ever-present. Now, I’m completely schizophrenic and don’t have to worry about being sentimental. I used to collect chairs and vinyl. I had an audiophile with Eames coming out my ears but, it’s debilitating for a designer to collect things. You can never be truly present if you’re a collector. It’s not possible to be a collector and designer in the same body, unless you have a split personality. 

Who are some of your favorite young architects?

Joshua Prince-Ramus and Bjarke Ingels. Is that like saying I listen to Justin Timberlake?  

If you could live anywhere, where it would it be (a location or specific structure)?

To follow in the footsteps of Brendon Grimshaw.

A decade from now, what trends will be cringeworthy?

That’s easy . . . reclaimed wood.

What currents trends will stand the test of time?

Isn’t that an oxymoron? Like military intelligence? We think sustainability is not a trend in the sense that energy has always ruled our lives. As we go through an energy transition, how we consume as a culture has an effect on design. This awareness cannot be forgotten. 

10. Color—yes or no?

No question; color is our lifeblood. Without color I would not have a pulse. 

11. What are you reading?

Maurice Blanchot, The Infinite Conversation. I also enjoy to travel and love picking up local periodicals to see where real people eat, drink and play.

12. What are you wearing?

Common Projects. The best thing since sliced bread.

13. What are you eating?

I love beef rib BBQ. Do you know any good spots in your neighborhood?

14. Do you listen to music while you're working?

I stopped listening to music.  I find it distracting while working. 

15. Are you a sketcher or a computer person?

Sketching is so much more fun and kinetic. It’s hard to imagine the ballet without a pen in hand. 

16. Social media—yes or no?

Yes, but it is addicting, is it not?

Wednesday
May222013

Workbook: New York State of Mind for PUMA

Nathan Lee Colkitt and his team, working closely with concept and store designer Plajer & Franz, created a design for PUMA's SoHo that captures the city's spirit and remains true to the company's brand. Photograph Garrett Rowland/Courtesy Colkitt & Co.Architect Nathan Lee Colkitt’s relationship with PUMA goes back nearly a decade. “I moved to LA in 2004, working for Stephen Kanner, the architect who came up with the initial design for the first PUMA stores in world,” he recalls. Hired initially to work on high-rise projects, economic realities put those on hold. “I got moved into the retail department and assigned to the PUMA account. I had never seen that side of things. It was fast paced—the closest thing to instant gratification you can get in architecture.” Colkitt became the department head in short order and traveled around the world as the brand expanded. He ultimately struck out on his own, establishing Colkitt & Co, but kept in touch with PUMA.

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