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Architecture and the City Festival
September 1–30, 2014
The American Institute of Architects, San Francisco chapter (AIA San Francisco) and the Center for Architecture + Design announce the 11th annual Architecture and the City festival, the nation’s largest architectural festival of its kind. Taking place in San Francisco every September, the month-long celebration features behind the scenes and walking tours, films, exhibitions, lectures and more, providing opportunities for participants to engage with the local architecture community and experience design in a myriad of ways throughout the city. The 2014 Architecture and the City festival theme, Home: My San Francisco, will examine the shifting nature of home, the different elements that contribute to its definition, and its relation to the urban fabric. Over 40 festival programs will explore the cultural richness and diversity of our local architectural and design community as well as provide a platform for conversation about our changing landscape and its implications for a city in a time of rapidly intensifying housing needs.

Barton Myers: Works of Architecture and Urbanism
September 12–December 12, 2014
With works as varied as a Vidal Sassoon Salon from 1968, the U.S. Expo Pavilion in Seville, Spain in 1992, and his steel houses, this exhibit will present an overview of almost fifty years of architecture. Barton Myers first attracted attention in the late 1960s for his civic buildings and urban projects in Canada. He returned to the United States in 1984 to open a Los Angeles office and became known for his performing arts centers, campus buildings, and steel houses among many projects. 

The Barton Myers papers were donated to the Architecture and Design Collection of the AD&A Museum, UC Santa Barbara in 2000.  The archive covers Myers’s work from 1968 through 2002 and includes sketches and computer drawings, watercolors, images by well-known photographers, detailed study models and models of blocks-long sections of cities, as well as research notes, correspondence, lectures, and writings.

Detroit Design Festival
September 23–28, 2014
Presented by the Detroit Creative Corridor Center (DC3), and supported by the Knight Foundation, the fourth-annual Detroit Design Festival spans all design disciplines and brings together commerce, culture, education, and entertainment with a full, varied program of exhibitions, openings, installations, shows, talks, open studios, fashion shows, product previews, performances and workshops.

Archtoberfest San Diego 2014
October 1–30, 2014
Archtoberfest San Diego 2014 is a collaboratively-operated initiative aimed at establishing an annual, month-long program of public events and activities pertaining to architecture, design, planning and sustainability.

Case Study & Site Tour
October 2, 2014
Steven Ehrlich will discuss his elevon designs at an Urban Land Institute Los Angeles event at elevon at Campus El Segundo. He will be joined by representatives of the development and leasing teams.

Docomomo US Tour Day 2014
October 11, 2014

Docomomo US is pleased to announce the full schedule of Tour Day, one of the largest national programs devoted to the appreciation of Modern architecture in the United States. Set to take place on October 11, 2014 and throughout the month of October, this year’s event includes more than 50 tours planned in 21 states and 37 individual cities and brings together 17 Docomomo US Chapters, 5 Friend Organizations, in addition to architecture and preservation organizations, architects, historians, designers, and enthusiasts. Hosted by many of the leading preservation voices, Tour Day 2014 events will offer something for everyone.


Westedge Design Fair
October 16–19, 2014
The curated fair features over 150 leading and emerging, domestic and international furnishings brands. Catering to both trade and consumers, the event offers a complete experience for attendees, including panel discussions and workshops, culinary activities, custom installations, and a series of special events.

4th Annual Found L.A.
October 19, 2014
On Sunday, October 19, 2014, the non-profit L.A. Commons (www.lacommons.org) will host its 4th annual Found L.A: Festival of Neighborhoods, and its first based on a mayoral theme, Los Angeles Mayor Eric Garcetti’s Great Streets Program. Angelenos will explore the main arteries of neighborhoods around the city, developed and not so, and meet the people in the center of activity there.

ACADIA 2014 Design Agency Conference
October 23–24, 2014
DESIGN AGENCY will bring together the spectrum of research and creative practice currently occurring within the ACADIA community through the combined support of the research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture. Questions the capacity for computation to inform or challenge traditional design processes; computation as design operation - the capacity, condition, or state of acting or of exerting power, and/or computation as design instrumentality - the design mechanism through which power is exerted or an end is achieved.

New Urbanism Film Festival
November 2014
The primary goal of the New Urbanism Film Festival is to renew the dialogue about urban planning with a broader audience. The Festival brings in movies, short films, speakers, on the topics of architecture, public health, bicycle advocacy, urban design, public transit, inner-city gardens, to name a few.

 

 

 

 

Competitions

Registration Opens: October 1
Breaking New Ground
The California Endowment

Deadline: October 31

Show Us Your Baldwin
Baldwin

Deadlne: November 30
Sir Geoffrey Jellicoe Award
International Federation of Landscape Architects (IFLA)

Deadline: December 8

2015 Diversity Scholarship
Gensler

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Entries in Frederick Fisher (3)

Wednesday
Sep242014

Wayback Wednesday: AIA|LA Gold Medal Award Winner Frederick Fisher

Frederick Fisher's notable work includes Sunnylands Center and Gardens at Sunnylands. Image courtesy Frderick Fisher & Partners.

For this month's edition of Wayback Wednesday, we're re-running our January/February 2014 profile of architect Frederick Fisher, who receieved the 2013 AIA|LA Gold Medal. Here, we learn about his journey to architecture, the importance of Los Angeles's storied design legacy in his career and the ways art and artists have informed his work over the years.

By Lisa Bingham Dewart

When Scott Johnson called Frederick Fisher, the founder and principal of Frederick Fisher and Partners, and said he was nominating him for the 2013 AIA|LA Gold Medal, the architect was completely surprised. “I joked to my wife I had a Sally Field moment,” he recalls. “I was completely taken aback.” But those familiar with his work felt the accolade was well deserved, given his architectural accomplishments. They range from residences to academic buildings and public spaces, all conceived in a practice rooted in a broad cultural approach blending ideas from architecture and art.

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Tuesday
Feb252014

FORM Culture: Architecture for Art

Frederick Fisher carved the new Marc Selwyn Fine Art space out of a former auto body shop in Beverly Hills. Image courtesy, Marc Selwyn Fine Art. By Michael Webb

At a time when many architects are using and abusing parametrics to create look-at-me buildings, Frederick Fisher stays true to his principles. For the past 30 years he has been crafting spaces for the creation and display of art and they are often so understated as to go unremarked. Artists and gallerists know that he will make them look good, and his range of accomplishment is unmatched—from PS 1 in New York and the Colby Museum extension in Maine, to the Huntington in Pasadena and an art space for the Otis Institute. He transformed a decrepit tram depot into Bergamot Station, and designed several of its gallery interiors, in addition to a dozen more he has done across LA.

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Wednesday
Nov282012

Articulating Museum Spaces 

Every picture benefits from a good frame, and that principle also applies to museum installations. Three current exhibitions in LACMA’s Resnick Gallery reveal the sweep of Renzo Piano’s skylit expanse while enhancing the special qualities of old master paintings, minimalist sculpture, and colorful ceramics. The square space, walled in glass and white plaster, has been divided into three long rectangles. To the west, Frederick Fisher and Partners have inserted L-plan dividers, stippled in yellow ochre, to create semi-enclosed galleries for the display of gold-framed paintings by Caravaggio and his contemporaries. Benches of stacked felt punctuate the sequence and encourage visitors to linger and soak up the spirit of these theatrical canvases.  A central axis extends from a ghostly image of Caravaggio at the entry to Michael Heizer’s Levitated Mass beyond the glass wall at the far end, as though the artist were gazing out at this natural form.
Turn the corner and you find the entire central space is occupied by Water de Maria’s The 2000 Sculpture, a seried array of faceted white blocks arranged in a herringbone pattern. The repeated zig-zag rows extend back to the entry façade and a framed view of BCAM’s red steel staircase. The east side is devoted to a retrospective of the late Ken Price, a virtuoso ceramicist whose work ranges from whimsical tea cups to massive coiled forms in a dazzling palette of soft and vibrant colors. Frank Gehry loves Price’s work and has set it off within a sequence of rotated white cubes that rise to the ceiling and are cut away to frame and enclose key exhibits. Projecting hoods conceal down lighting and extend the cubes into the central axis, mirroring Fisher’s looser enclosures. Most visitors will focus on the artworks, as they should, for these structures are not meant to draw attention to themselves. Architects will appreciate the spatial contrast between the open volume at the center and the articulation of those to either side, and the way these scaling devices intensify your experience of the art.