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Events 

Venice/Santa Monica Modern Home Tour
May 3, 2014

The Venice/Santa Monica Modern Home Tour gives L.A. residents a chance to explore and view some of the greatest examples of modern architecture right in their own area, via self-guided driving tour. Attendees learn from homeowners what it's like to live in a modern home and find out where the architects got their inspiration - directly from the architects themselves. The tour is self-guided and self-driven, allowing guests to explore these modern treasures at their own pace.

RICSSummit of the Americas Toronto 2014

May 4-6, 2014
RICS Summit of the Americas 2014 is for any real estate professional looking to draw from timely, in-depth market knowledge that will be shared by local and international experts in the land, property and construction sectors. The summit will provide an excellent opportunity to connect with top professionals from around the world and engage in educational seminars and premier discussion forums.

Heath Open Studio Events
May 9–11
The traditional Spring event, where Heath opens the doors to the factory and studio so visitors can explore both Heath's history, as well as current projects and collections, will be held at the company's San Franciso, Sausalito and Los Angeles locations.

Sonoma Living: Home Tours
May 10, 2014
AIA San Francisco and AIA Redwood Empire are excited to announce Sonoma Living: Home Tours, a new home tours program for 2014. Sonoma Living will showcase a wide variety of architectural styles, neighborhoods, and residences—all from the architect's point of view. The program provides design enthusiasts and the general public with an inside look into the world of distinctive residences in Sonoma county. Tour participants have the opportunity to see some of the area's latest residential projects from the inside out, meet design teams, explore housing trends, and discover design solutions that inspire unique Sonoma living.

de LaB Presents an Eastside Home Tour: Architects at Home
May 10, 2014
De LaB presents its second annual Eastside home tour, “Architects at Home,” on May 10th from 12:00-4:00 p.m. The popular tour will explore homes designed and built by architects for their own families. A sense of experimentation, playfulness, inspiration, and a creative approach to budget constraints pervade these homes.

The Venice Art Walk
May 18, 2014
The proud tradition of artists and volunteers providing health care to their neighbors in need and the celebration of Venice’s vibrant artistic culture continues today. This event is free and open to the public and features a highly anticipated 350 piece art auction, live entertainment, and an impressive lineup of gourmet food trucks. Participants can purchase tickets to highly regarded Architecture Tours that held throughout the year and/or view exclusive art studios that will be featured on the day of Venice Art Walk & Auctions.

Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century.

Celebrate: Groundswell
June 28, 2014
A+D Architecture and Design Museum > Los Angeles (A+D) celebrates its 13th year of cutting edge exhibitions and progressive architecture and design programs with its annual gala and fundraiser.

 

Competitions

Deadline: April 25
Call for Entries (Student Awards) 
ASLA

Deadline: May 18
Imagine Hillandale
Imagine Hillandale

Deadline: June 1 
AIA|LA 2014 Design Awards Program Registration 
AIA|LA

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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Entries in Frederick Fisher (2)

Tuesday
Feb252014

FORM Culture: Architecture for Art

Frederick Fisher carved the new Marc Selwyn Fine Art space out of a former auto body shop in Beverly Hills. Image courtesy, Marc Selwyn Fine Art. By Michael Webb

At a time when many architects are using and abusing parametrics to create look-at-me buildings, Frederick Fisher stays true to his principles. For the past 30 years he has been crafting spaces for the creation and display of art and they are often so understated as to go unremarked. Artists and gallerists know that he will make them look good, and his range of accomplishment is unmatched—from PS 1 in New York and the Colby Museum extension in Maine, to the Huntington in Pasadena and an art space for the Otis Institute. He transformed a decrepit tram depot into Bergamot Station, and designed several of its gallery interiors, in addition to a dozen more he has done across LA.

Click to read more ...

Wednesday
Nov282012

Articulating Museum Spaces 

Every picture benefits from a good frame, and that principle also applies to museum installations. Three current exhibitions in LACMA’s Resnick Gallery reveal the sweep of Renzo Piano’s skylit expanse while enhancing the special qualities of old master paintings, minimalist sculpture, and colorful ceramics. The square space, walled in glass and white plaster, has been divided into three long rectangles. To the west, Frederick Fisher and Partners have inserted L-plan dividers, stippled in yellow ochre, to create semi-enclosed galleries for the display of gold-framed paintings by Caravaggio and his contemporaries. Benches of stacked felt punctuate the sequence and encourage visitors to linger and soak up the spirit of these theatrical canvases.  A central axis extends from a ghostly image of Caravaggio at the entry to Michael Heizer’s Levitated Mass beyond the glass wall at the far end, as though the artist were gazing out at this natural form.
Turn the corner and you find the entire central space is occupied by Water de Maria’s The 2000 Sculpture, a seried array of faceted white blocks arranged in a herringbone pattern. The repeated zig-zag rows extend back to the entry façade and a framed view of BCAM’s red steel staircase. The east side is devoted to a retrospective of the late Ken Price, a virtuoso ceramicist whose work ranges from whimsical tea cups to massive coiled forms in a dazzling palette of soft and vibrant colors. Frank Gehry loves Price’s work and has set it off within a sequence of rotated white cubes that rise to the ceiling and are cut away to frame and enclose key exhibits. Projecting hoods conceal down lighting and extend the cubes into the central axis, mirroring Fisher’s looser enclosures. Most visitors will focus on the artworks, as they should, for these structures are not meant to draw attention to themselves. Architects will appreciate the spatial contrast between the open volume at the center and the articulation of those to either side, and the way these scaling devices intensify your experience of the art.