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Events 

RICSSummit of the Americas Toronto 2014
May 4-6, 2014
RICS Summit of the Americas 2014 is for any real estate professional looking to draw from timely, in-depth market knowledge that will be shared by local and international experts in the land, property and construction sectors. The summit will provide an excellent opportunity to connect with top professionals from around the world and engage in educational seminars and premier discussion forums. 

Sonoma Living: Home Tours
May 10, 2014
AIA San Francisco and AIA Redwood Empire are excited to announce Sonoma Living: Home Tours, a new home tours program for 2014. Sonoma Living will showcase a wide variety of architectural styles, neighborhoods, and residences—all from the architect's point of view. The program provides design enthusiasts and the general public with an inside look into the world of distinctive residences in Sonoma county. Tour participants have the opportunity to see some of the area's latest residential projects from the inside out, meet design teams, explore housing trends, and discover design solutions that inspire unique Sonoma living.


Design for Social Impact
May 25–August 3, 2014
Based on the idea that design is a way of looking at the world with an eye for changing it, the Museum of Design Atlanta (MODA) presents Design for Social Impact, an original exhibition offering a look at how designers, engineers, students, professors, architects and social entrepreneurs use design to solve the problems of the 21st century. 

 

Competitions

Deadline: April 25
Call for Entries (Student Awards) 
ASLA 

Deadline: June 1 
AIA|LA 2014 Design Awards Program Registration 
AIA|LA

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

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MONITOR

Entries in Kengo Kuma (1)

Wednesday
May082013

Books: Old Japan Made New

A new monograph explores the compelling work of architect Kengo Kuma.

By Michael Webb

Kengo Kuma: Complete Works.  (Thames & Hudson, $65)

In his erudite introduction, Kenneth Frampton calls Kengo Kuma “quintessentially Japanese” and the 25 projects the architect has selected are deeply rooted in the craft traditions of that country. The title is misleading: Only a quarter of Kuma’s buildings are featured, and the large commercial projects in Beijing that have sustained his practice in recent years are omitted. It’s a wise choice, for Kuma works best on a modest scale with traditional materials. In his foreword, he writes with feeling of his collaboration with traditional craftsmen in rural Shikoku and in Tohuku, a region ravaged by the earthquake and tsunami of 3/11.  “The richness and strength of that culture cannot be understood until one has worked with the people who live there—until one has eaten their food, drunk their sake, talked with the craftsmen and made things with them,” he writes.

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