By Michael Webb
Niemeyer aside, Latin American architecture has received far too little attention in the US, so this scholarly monograph on Lina Bo Bardi (1914-92) is especially welcome. It examines the career of an architect who won attention as a critic and designer in her native Italy, moved to Brazil in 1946, and struggled to realize a radical vision. In her 45 years of residence, she completed only 14 projects, but they include a house of rare distinction and two major public works, all in the city of São Paolo. The MASP Museum of Modern Art comprises glass-walled galleries suspended from two massive, long-span concrete frames, shading a public plaza and revealing the park beyond. The SESC Pompeia Leisure Center is an adult play structure: two raw concrete volumes linked with bridges and lit from biomorphic openings.