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Events

AIA Convention 2013
June 20–22, 2013
Head to Denver for The American Institute of Architects annual convention. Speakers include Gen. Colin R. Powell.

Dwell on Design 
June 21–23, 2013 
America's largest Modern design event comes to the LA Convention Center for a weekend of exhibits, panels and more. 

The London Art Book Fair
September 13-15, 2013
UK’s largest event dedicated to art, design and photography publications, including everything from big new releases to one-off artists’ books, prints and zines from around the world.

Monterey Design Conference 
September 27–29, 2013 
Kengo Kuma, Hon. FAIA, of Japan, Marcio Kogan, Hon. FAIA, of Brazil, and Odile Decq, of France, join an outstanding group of North American designers for one of the premier retreats for architects.

westedge 
October 3–6, 2013 
The inaugural design event, to be held at Santa Monica's Barker Hangar, will feature over 200 exhibitors along with expert panels and speakers. 

AIAS Forum 2012
December 29, 2013 
The annual meeting of the American Institute of Architecture Students and the global gathering of the architecture and design students.

 

Competitions 

Deadline: June 28, 2013
Think/Work: Wing Global Student Design Competition
IFI 

Deadline: July 15, 2013
Changing the Face 2013 International Competition
DuPont 

Deadline: July 29
World Design Impact Prize 2013–2014 
ICSID 

Deadline: October 1
IDP Design Competition 
AIASFV 

Deadline: December 31
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Entries in Perot Museum (1)

Friday
Dec072012

Morphosis-Designed Perot Museum Opens in Dallas

Image by Mark Knight via Life of an ArchitectThe Perot Museum of Nature and Science, the latest work of Los Angeles-based Morphosis (the firm of Pritzker prize winner Thom Mayne), opened to the public last weekend in Dallas, Texas. Described by the NY Times as “alluring but unsettling,” the building features a ten-story concrete cube punched out by a transparent diagonal cylinder displaying one of the building’s elevators. The theatricality of the building’s circulation elements multiplies throughout the building—producing an effect that NYT reviewer Edward Rothstein describes as typically post-modern: “the visitor is led through a cosmos that can itself be dizzying: miniature worlds of systems and interactions; invocations of things known and half known; sensations, simulations and reflections; accounts of dissolution and evolution.

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