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The West Hollywood Design District Presents Decades of Design 1948–2014
November 19, 2014–February 2015
The first-ever retrospective exhibition uncovering, examining and celebrating six decades of rich design history in West Hollywood. The curated ­­gallery will showcase design pioneers and present tastemakers through bold graphics, photographs and original product.

FOG Design + Art Fair
January 15–18, 2015
Benefiting the San Francisco Museum of Modern Art (SFMOMA), FOG Design+Art is a four-day celebration and exploration of modern and contemporary design, architecture, and art with dynamic exhibits, custom installations, art galleries, lectures, and discussions with leaders in the art and design worlds.

Provocations: The Architecture and Design of Heatherwick Studio
February 20–May 24, 2015
This February, the Hammer Museum will present the West Coast debut of Provocations: The Architecture and Design of Heatherwick Studio, featuring the imaginative work of British designer Thomas Heatherwick and his London-based studio. Heatherwick is known for his unique design concepts ranging from products, such as a handbag for Longchamp, to large-scale structures like the new distillery for Bombay Sapphire Gin.

 

 

Competitions

Deadline: December 31
Kitchen Design Contest
Wolf and Sub-Zero 

Deadline: January 16
Ceramics of Italy Tile Competition 2015
Ceramics of Italy 

Deadline: February 23
I Like Design
Interiors & Sources 

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Entries in Perot Museum (1)

Friday
Dec072012

Morphosis-Designed Perot Museum Opens in Dallas

Image by Mark Knight via Life of an ArchitectThe Perot Museum of Nature and Science, the latest work of Los Angeles-based Morphosis (the firm of Pritzker prize winner Thom Mayne), opened to the public last weekend in Dallas, Texas. Described by the NY Times as “alluring but unsettling,” the building features a ten-story concrete cube punched out by a transparent diagonal cylinder displaying one of the building’s elevators. The theatricality of the building’s circulation elements multiplies throughout the building—producing an effect that NYT reviewer Edward Rothstein describes as typically post-modern: “the visitor is led through a cosmos that can itself be dizzying: miniature worlds of systems and interactions; invocations of things known and half known; sensations, simulations and reflections; accounts of dissolution and evolution.

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