Image by Mark Knight via Life of an ArchitectThe
Perot Museum of Nature and Science, the latest work of Los Angeles-based
Morphosis (the firm of Pritzker prize winner Thom Mayne), opened to the public last weekend in Dallas, Texas.
Described by the NY Times as “alluring but unsettling,” the building features a ten-story concrete cube punched out by a transparent diagonal cylinder displaying one of the building’s elevators. The theatricality of the building’s circulation elements multiplies throughout the building—producing an effect that
NYT reviewer Edward Rothstein describes as typically post-modern: “the visitor is led through a cosmos that can itself be dizzying: miniature worlds of systems and interactions; invocations of things known and half known; sensations, simulations and reflections; accounts of dissolution and evolution.
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