In our July/August print edition, we explore pattern in architecture. From dots to squares to lines, architects deploy pattern both as a formal and a functional element. The Janus house, by Kennerly Architecture, goes for elegant straight lines, as you'll learn from this excerpt from our Workbook section.
Entries in san francisco (12)
When Timothy Pleuger’s Pacific Telephone + Telegraph building was completed in 1925, the San Francisco edifice bore the distinction of being the first major high rise south of Market, not to mention being the largest office building on the West Coast. Nearly a century later it has a new life, thanks to Internet review bigwig Yelp.
For West Coast fans of chic, sleek furniture, there’s a new kid in town. Flexform, the Italian firm known for its elegant, contemporary pieces, just opened a new showroom in San Francisco. We chatted with Gregory Herman, the owner of the new furniture hotspot, about Flexform and some current furniture trends.
Save for some immutable specifics—how eyeglasses are stored and displayed, how customers try them on and see themselves in them—Ron Radziner, of Marmol Radziner, had the chance to let his creativity range as he and his firm designed the new Oliver Peoples store in San Francisco. As he puts it, “It’s more about how you express the concept of the brand and the feeling.”
We talk a lot about the new look of offices—open-plan, flooded with natural light, multi-use spaces. Often, though, designers and architects don’t take that idea to the next level, instead creating spaces that still very much retain the old aesthetic that leans toward the institutional and bland. For a recent project by Studio O+A, a San Francisco–based interior design studio, the team pushed the envelope, creating offices for the online firm Zazzle in Redwood City, California, that are lively and inviting.